Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 103
One can see this taking apart in Turner's use of color as well as of form . The predictability of color - especially in the coloring of sunlight - had become so codified in the eighteenth century that the painted sky was a visual cliché ...
One can see this taking apart in Turner's use of color as well as of form . The predictability of color - especially in the coloring of sunlight - had become so codified in the eighteenth century that the painted sky was a visual cliché ...
Page 104
Now for the first time in English art , color became inseparable from light , and the skies - especially those painted by the end of the century - reflect this.30 They become literally spectacular . Turner's supposed last words that ...
Now for the first time in English art , color became inseparable from light , and the skies - especially those painted by the end of the century - reflect this.30 They become literally spectacular . Turner's supposed last words that ...
Page 105
The same is true in Turner's painting ; all the other colors are dominated by this red , every object is infused with its presence . As Heffernan says : “ Like Turner's Slavers , then the seascape of The Rime is dominated by the color ...
The same is true in Turner's painting ; all the other colors are dominated by this red , every object is infused with its presence . As Heffernan says : “ Like Turner's Slavers , then the seascape of The Rime is dominated by the color ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth