Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 26
27 The experience has to do with a kind of ego loss, or a loss of self-consciousness, if you will, and a simultaneous connection to something outside the self. It is of short duration, hard to explain (but not inexplicable, ...
27 The experience has to do with a kind of ego loss, or a loss of self-consciousness, if you will, and a simultaneous connection to something outside the self. It is of short duration, hard to explain (but not inexplicable, ...
Page 149
mion's consciousness , and finally , in the right column , is the actual cosmic level on which the activity occurs . In this “ map of consciousness , ” Endymion as a character is not involved , since the paradigm is simply a projection ...
mion's consciousness , and finally , in the right column , is the actual cosmic level on which the activity occurs . In this “ map of consciousness , ” Endymion as a character is not involved , since the paradigm is simply a projection ...
Page 155
of mion's consciousness , and finally , in the right column , is the actual cosmic level on which the activity occurs . In this “ map consciousness , ” Endymion as a character is not involved , since the paradigm is simply a projection ...
of mion's consciousness , and finally , in the right column , is the actual cosmic level on which the activity occurs . In this “ map consciousness , ” Endymion as a character is not involved , since the paradigm is simply a projection ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth