Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 155
This is the world inhabited by Blake's “ cold earth wanderers . ” As Dugald Stewart , one of the most influential commentators on the sublime in the early nineteenth century , wrote , “ the opposite to the sublime is not the profound ...
This is the world inhabited by Blake's “ cold earth wanderers . ” As Dugald Stewart , one of the most influential commentators on the sublime in the early nineteenth century , wrote , “ the opposite to the sublime is not the profound ...
Page 162
Additionally , our attention is focused not on any event but on a process : the moving tension of those horizontal lines as they separate the central masses of earth , cloud , and air . And our concentration is especially on the ...
Additionally , our attention is focused not on any event but on a process : the moving tension of those horizontal lines as they separate the central masses of earth , cloud , and air . And our concentration is especially on the ...
Page 184
129–34 ) Now completely united , the animating spirits of Mind and Matter spin round the earth , flying in and out of the earth's shadow ( “ the pyramid of night ” ) , then passing either out into the cosmos or back closer to the earth ...
129–34 ) Now completely united , the animating spirits of Mind and Matter spin round the earth , flying in and out of the earth's shadow ( “ the pyramid of night ” ) , then passing either out into the cosmos or back closer to the earth ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth