Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 43
... the Orc cycle as described by Northrop Frye , has always seemed too simple to explain the last half of the poem . ... I hope to show that these three cruxes can be explained in part by Blake's adaptation of a symbol just then coming ...
... the Orc cycle as described by Northrop Frye , has always seemed too simple to explain the last half of the poem . ... I hope to show that these three cruxes can be explained in part by Blake's adaptation of a symbol just then coming ...
Page 48
consult the only other critic who has dissented from the perfect circle / cycle explanation of The Mental Traveller . ... “ This invocation of the gyres to explain the man and woman who move alternately from youth to age , from age to ...
consult the only other critic who has dissented from the perfect circle / cycle explanation of The Mental Traveller . ... “ This invocation of the gyres to explain the man and woman who move alternately from youth to age , from age to ...
Page 49
Admittedly , he may have gotten the cyclical theory from Swedenborg , but that theory explains only changes in time ( birth - life - deathbirth ) : it simply cannot explain changes in space . Could it be that Blake refashioned the ...
Admittedly , he may have gotten the cyclical theory from Swedenborg , but that theory explains only changes in time ( birth - life - deathbirth ) : it simply cannot explain changes in space . Could it be that Blake refashioned the ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth