Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 13
Longinus was supposedly the first to discuss the sublime, but in fact he said precious little about what was to be considered sublimity. His concern was for rhetorical style, and as a matter of fact, it was only after Boileau's Traite ...
Longinus was supposedly the first to discuss the sublime, but in fact he said precious little about what was to be considered sublimity. His concern was for rhetorical style, and as a matter of fact, it was only after Boileau's Traite ...
Page 22
In fact , in the twentieth century there have usually been three routes to sublimity : for many it has been through the Eastern religions , but for D. H. Lawrence , Henry Miller , and others it was through the mythology of sex ; while ...
In fact , in the twentieth century there have usually been three routes to sublimity : for many it has been through the Eastern religions , but for D. H. Lawrence , Henry Miller , and others it was through the mythology of sex ; while ...
Page 31
In fact the spirits of this “ daemonic level ” became almost a leitmotiv appearing above the poet - protagonist in response to changes in his perception . They became the “ signification ” of sublimity . So the poet of Alastor runs into ...
In fact the spirits of this “ daemonic level ” became almost a leitmotiv appearing above the poet - protagonist in response to changes in his perception . They became the “ signification ” of sublimity . So the poet of Alastor runs into ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth
References to this book
Bibliographic information
| Title | Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, James B. Twitchell |
| Author | James B. Twitchell |
| Edition | illustrated |
| Publisher | University of Missouri Press, 1983 |
| Original from | the University of Michigan |
| Digitized | 4 Mar 2008 |
| ISBN | 0826204112, 9780826204110 |
| Length | 232 pages |
| Subjects | › Art / General |
| Export Citation | BiBTeX EndNote RefMan |