Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 191
In the lectures that follow , Rosenblum articulates an impressive , although occasionally hard - pressed , case that the sublimities of Friedrich form one of the spools from which the thread of modern art will unwind.2 The ...
In the lectures that follow , Rosenblum articulates an impressive , although occasionally hard - pressed , case that the sublimities of Friedrich form one of the spools from which the thread of modern art will unwind.2 The ...
Page 201
Such an unaffected , but not unstudied , view as this almost intimates the configuration of massive interdependent forms that we have seen again and again and come to associate with an important strain of modern art .
Such an unaffected , but not unstudied , view as this almost intimates the configuration of massive interdependent forms that we have seen again and again and come to associate with an important strain of modern art .
Page 213
Such an unaffected , but not unstudied , view as this almost intimates the configuration of massive interdependent forms that we have seen again and again and come to associate with an important strain of modern art .
Such an unaffected , but not unstudied , view as this almost intimates the configuration of massive interdependent forms that we have seen again and again and come to associate with an important strain of modern art .
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth