Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 73
He will have to give up language and thus give up art . So he keeps to the margin . Hartman continues : Consider the phenomenon of centroversion in Wordsworth : how his mind circles and haunts a particular place until released into an ...
He will have to give up language and thus give up art . So he keeps to the margin . Hartman continues : Consider the phenomenon of centroversion in Wordsworth : how his mind circles and haunts a particular place until released into an ...
Page 131
He wants the sublimation that will give him release , yet he does not want to give up control . By the very nature of the cosmos that Byron has erected around Manfred , and by the very nature of the dualism he has created within him ...
He wants the sublimation that will give him release , yet he does not want to give up control . By the very nature of the cosmos that Byron has erected around Manfred , and by the very nature of the dualism he has created within him ...
Page 131
He wants the sublimation that will give him release , yet he does not want to give up control . By the very nature of the cosmos that Byron has erected around Manfred , and by the very nature of the dualism he has created within him ...
He wants the sublimation that will give him release , yet he does not want to give up control . By the very nature of the cosmos that Byron has erected around Manfred , and by the very nature of the dualism he has created within him ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth