Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 96
... that they are strictly ordered in a vertical hierarchy ; second , that they are capable of speaking the language ... not daemonic in the Christian or Jewish sense of a fallen angel but is on loan from the Neoplatonic hierarchies .
... that they are strictly ordered in a vertical hierarchy ; second , that they are capable of speaking the language ... not daemonic in the Christian or Jewish sense of a fallen angel but is on loan from the Neoplatonic hierarchies .
Page 128
Beneath these great patriarchs extend vast sublunar worlds of spirits , who are good or evil depending on whose hierarchy they are in , Ormazd's or Ahriman's . This dualism is marked and distinct , and man is given the choice of ...
Beneath these great patriarchs extend vast sublunar worlds of spirits , who are good or evil depending on whose hierarchy they are in , Ormazd's or Ahriman's . This dualism is marked and distinct , and man is given the choice of ...
Page 183
Like any good Platonist , Shelley bases this frame on a rather rigid hierarchy of Intelligence , yet when all is said and done , his concern is with his vision , not with apparatus . In a way , however , the formation of the layered ...
Like any good Platonist , Shelley bases this frame on a rather rigid hierarchy of Intelligence , yet when all is said and done , his concern is with his vision , not with apparatus . In a way , however , the formation of the layered ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth