Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 26
27 The experience has to do with a kind of ego loss, or a loss of self-consciousness, if you will, and a simultaneous connection to something outside the self. It is of short duration, hard to explain (but not inexplicable, ...
27 The experience has to do with a kind of ego loss, or a loss of self-consciousness, if you will, and a simultaneous connection to something outside the self. It is of short duration, hard to explain (but not inexplicable, ...
Page 24
As R. D. Laing has said , we have tended to fear this kind of sub - liminal experience instead of realizing that it is a mode of perception , a level of consciousness : “ The person going through ego - loss or transcendental experiences ...
As R. D. Laing has said , we have tended to fear this kind of sub - liminal experience instead of realizing that it is a mode of perception , a level of consciousness : “ The person going through ego - loss or transcendental experiences ...
Page 131
Byron himself wrote of Manfred that it was “ a very wild , metaphysical , and inexplicable ” kind of drama in which “ almost all the persons — but two or three - are spirits of the earth and air , or the water [ and ] the hero is a kind ...
Byron himself wrote of Manfred that it was “ a very wild , metaphysical , and inexplicable ” kind of drama in which “ almost all the persons — but two or three - are spirits of the earth and air , or the water [ and ] the hero is a kind ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth