Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 13
... Elizabeth Wheeler Manwaring, Italian Landscape in Eighteenth Century England: A Study Chiefly of the Influence of Claude Lorrain and Salvator Rosa on English Taste, 1700-1800; Edward Malins, English Landscaping and Literature, ...
... Elizabeth Wheeler Manwaring, Italian Landscape in Eighteenth Century England: A Study Chiefly of the Influence of Claude Lorrain and Salvator Rosa on English Taste, 1700-1800; Edward Malins, English Landscaping and Literature, ...
Page 9
When John Ruskin in the 1850s was musing about the romantic painter's obsessions with landscapes , he imagined an ... Coleridge was one of the first to understand that this was the great achievement of English landscape painters : in ...
When John Ruskin in the 1850s was musing about the romantic painter's obsessions with landscapes , he imagined an ... Coleridge was one of the first to understand that this was the great achievement of English landscape painters : in ...
Page 37
Additionally , I think it was no accident that British watercolor landscapes were first produced near Norwich , where ... During most of the eighteenth century , topographic poetry , picturesque painting , and landscape gardening were ...
Additionally , I think it was no accident that British watercolor landscapes were first produced near Norwich , where ... During most of the eighteenth century , topographic poetry , picturesque painting , and landscape gardening were ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth