Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 81
gun in 1775 with The Captive , From Sterne.27 The fascination with enclosed space and the sense of looking out through a hole into blinding light contain the same lighting as the blast furnace pictures now combined with the high gothic ...
gun in 1775 with The Captive , From Sterne.27 The fascination with enclosed space and the sense of looking out through a hole into blinding light contain the same lighting as the blast furnace pictures now combined with the high gothic ...
Page 103
The artist delights to go back to the first chaos of the world , or to that state of things , when the waters were separated from the dry land , and light from darkness , but as yet no living thing nor tree bearing fruit was seen on the ...
The artist delights to go back to the first chaos of the world , or to that state of things , when the waters were separated from the dry land , and light from darkness , but as yet no living thing nor tree bearing fruit was seen on the ...
Page 213
the American painters returned to those landscape scenes not just bisected by coruscating light but linked by it . Again and again we see not just in their choice of subjects , but also in the literal standpoint of observation ...
the American painters returned to those landscape scenes not just bisected by coruscating light but linked by it . Again and again we see not just in their choice of subjects , but also in the literal standpoint of observation ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth