Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 1
Today , thinking of the sublime as a matter of taste seems to belittle its importance , but that is because the meanings of both taste and sublime have so markedly changed . For us taste is rarely a subject for philosophical treatises ...
Today , thinking of the sublime as a matter of taste seems to belittle its importance , but that is because the meanings of both taste and sublime have so markedly changed . For us taste is rarely a subject for philosophical treatises ...
Page 1
Today , thinking of the sublime as a matter of taste seems to belittle its importance , but that is because the meanings of both taste and sublime have so markedly changed . For us taste is rarely a subject for philosophical treatises ...
Today , thinking of the sublime as a matter of taste seems to belittle its importance , but that is because the meanings of both taste and sublime have so markedly changed . For us taste is rarely a subject for philosophical treatises ...
Page 178
But matter as Plotinus conceives it is the least real of all created things , at the farthest remove from the central and life - giving One . Matter in his conception is the plastic stuff in which the creative intelligence of a deity ...
But matter as Plotinus conceives it is the least real of all created things , at the farthest remove from the central and life - giving One . Matter in his conception is the plastic stuff in which the creative intelligence of a deity ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth