Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 2
Already there is an implosive cluster of meaning and contradictions developing , for the word means both vertically up to a threshold ( or lintel ) and horizontally out to the margin . These Latin roots are descriptive of places ; it is ...
Already there is an implosive cluster of meaning and contradictions developing , for the word means both vertically up to a threshold ( or lintel ) and horizontally out to the margin . These Latin roots are descriptive of places ; it is ...
Page 131
Clearly , whatever “ meaning ” the play is going to have for us depends on how we wish to interpret all the supernatural elements , for their role in the drama is ambiguous : “ reality ” is in flux . Are we seeing into , and outside ...
Clearly , whatever “ meaning ” the play is going to have for us depends on how we wish to interpret all the supernatural elements , for their role in the drama is ambiguous : “ reality ” is in flux . Are we seeing into , and outside ...
Page 157
23 When dry , the “ unmeaning blot ” must be tinted , shaded , and washed until the “ intended meaning " comes through . It is all rather like having the patient view a Rorschach blot and then paint his vision around it , for the blot ...
23 When dry , the “ unmeaning blot ” must be tinted , shaded , and washed until the “ intended meaning " comes through . It is all rather like having the patient view a Rorschach blot and then paint his vision around it , for the blot ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth