Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 9
Landscapes complete with blue mountains at the horizon had become as obsessive a subject for painters as they were for poets ; they were more than subjects , they were “ touchstones of taste , " marks of sensibility , fit objects of ...
Landscapes complete with blue mountains at the horizon had become as obsessive a subject for painters as they were for poets ; they were more than subjects , they were “ touchstones of taste , " marks of sensibility , fit objects of ...
Page 7
Yet in all the recent hubbub , Marjorie Hope Nicolson's Mountain Gloom and Mountain Glory : The Development of the ... In essence she traces the relationship between mountains and men through the eighteenth century up to the turn of the ...
Yet in all the recent hubbub , Marjorie Hope Nicolson's Mountain Gloom and Mountain Glory : The Development of the ... In essence she traces the relationship between mountains and men through the eighteenth century up to the turn of the ...
Page 9
Landscapes complete with blue mountains at the horizon had become as obsessive a subject for painters as they were for poets ; they were more than subjects , they were “ touchstones of taste , ” marks of sensibility , fit objects of ...
Landscapes complete with blue mountains at the horizon had become as obsessive a subject for painters as they were for poets ; they were more than subjects , they were “ touchstones of taste , ” marks of sensibility , fit objects of ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth