Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 8
... nature up too close is what con- fines the self , what prevents expansion . Although Blake clearly did not care about this and Wordsworth was ambivalent , nature is the boundary Shelley and Keats ( and Byron , when he was not careful ) ...
... nature up too close is what con- fines the self , what prevents expansion . Although Blake clearly did not care about this and Wordsworth was ambivalent , nature is the boundary Shelley and Keats ( and Byron , when he was not careful ) ...
Page 8
... nature up too close is what con- fines the self , what prevents expansion . Although Blake clearly did not care about this and Wordsworth was ambivalent , nature is the boundary Shelley and Keats ( and Byron , when he was not careful ) ...
... nature up too close is what con- fines the self , what prevents expansion . Although Blake clearly did not care about this and Wordsworth was ambivalent , nature is the boundary Shelley and Keats ( and Byron , when he was not careful ) ...
Page 29
... natural world , the land of dreams , few ever dared go above . Those who have ( Dante , Milton ) did so with requisite timidity and caution , for the world above nature is the domain of God and his angels . God is both immanent in nature ...
... natural world , the land of dreams , few ever dared go above . Those who have ( Dante , Milton ) did so with requisite timidity and caution , for the world above nature is the domain of God and his angels . God is both immanent in nature ...
Contents
The AntiSublime | 40 |
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
Copyright | |
9 other sections not shown
Common terms and phrases
aesthetic Alexander Cozens Ancient Mariner Arimanes Arlington Court artists attempt Barnett Newman beauty become Blake Blake's Byron Cave of Quietude clearly Coleridge Coleridge's color Constable Constable's Clouds cosmic cosmos Cozens Cozens's critics Cynthia daemons DEMOGORGON earth edge Endymion ethereal evil external fact forms Glaucus gloss Harold Bloom Hartman heaven hierarchy horizon Iamblichus imagination Indian Maid interest interpretations John Keats Keats's landscape light liminal look lucifugum Manfred Manfred's mantic Martin Mental Traveller mind mountains mystic nature Neoplatonic Neoplatonists ness nineteenth century Northrop Frye objects painters painting picturesque Platonic pleasure thermometer Plotinus poem poet poetic Poetry Prometheus Unbound psychological Rime Romantic Poetry romantic sublime Romanticism scene seems SEMICHORUS sense Shelley Shelley's six daemons skies soul space Study subconscious sublime sublime experience supernatural things threshold Tintern Abbey tion tradition transcendent Turner universe vision visual William words Wordsworth Yew Trees Zoroastrian