Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 33
Around the turn of the nineteenth century a renewed interest in the operation of ancient cosmologies resulted in translations of the Neoplatonic mystics , many of whom had never before been translated into English .
Around the turn of the nineteenth century a renewed interest in the operation of ancient cosmologies resulted in translations of the Neoplatonic mystics , many of whom had never before been translated into English .
Page 184
But this may have been because Ruskin never saw Constable's cloud studies , since they were never exhibited until the twentieth century . But Kenneth Clark , who has seen what Ruskin never saw , concluded that Constable , in his own ...
But this may have been because Ruskin never saw Constable's cloud studies , since they were never exhibited until the twentieth century . But Kenneth Clark , who has seen what Ruskin never saw , concluded that Constable , in his own ...
Page 184
But this may have been because Ruskin never saw Constable's cloud studies , since they were never exhibited until the twentieth century . But Kenneth Clark , who has seen what Ruskin never saw , concluded that Constable , in his own ...
But this may have been because Ruskin never saw Constable's cloud studies , since they were never exhibited until the twentieth century . But Kenneth Clark , who has seen what Ruskin never saw , concluded that Constable , in his own ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth