Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 20
I believe one can find a vocabulary of vision, a correspondence of sight, a sense of pattern that is romantic, for indeed, as Diderot said, "one does discover the poets in painters and the painters in poets.
I believe one can find a vocabulary of vision, a correspondence of sight, a sense of pattern that is romantic, for indeed, as Diderot said, "one does discover the poets in painters and the painters in poets.
Page 9
When John Ruskin in the 1850s was musing about the romantic painter's obsessions with landscapes , he imagined an ... Landscapes complete with blue mountains at the horizon had become as obsessive a subject for painters as they were for ...
When John Ruskin in the 1850s was musing about the romantic painter's obsessions with landscapes , he imagined an ... Landscapes complete with blue mountains at the horizon had become as obsessive a subject for painters as they were for ...
Page 186
But you rarely hear mention of the English landscape painters , even though their innovations were important and , in some cases , profound . I grant that in the last decade matters have been rapidly changing , but if you look at any ...
But you rarely hear mention of the English landscape painters , even though their innovations were important and , in some cases , profound . I grant that in the last decade matters have been rapidly changing , but if you look at any ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth