Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 116
In Manfred this correlation grows increasingly more complex as the play progresses : in the beginning the spirit life seems to be totally outside the protagonist ; at the end , it seems almost totally internal .
In Manfred this correlation grows increasingly more complex as the play progresses : in the beginning the spirit life seems to be totally outside the protagonist ; at the end , it seems almost totally internal .
Page 131
In Manfred this correlation grows increasingly more complex as the play progresses : in the beginning the spirit life seems to be totally outside the protagonist ; at the end , it seems almost totally internal .
In Manfred this correlation grows increasingly more complex as the play progresses : in the beginning the spirit life seems to be totally outside the protagonist ; at the end , it seems almost totally internal .
Page 131
Hence the climax of the play is indeed this ultimate confrontation of the subliming self with the dross of consciousness . Clearly , whatever “ meaning ” the play is going to have for us depends on how we wish to interpret all the ...
Hence the climax of the play is indeed this ultimate confrontation of the subliming self with the dross of consciousness . Clearly , whatever “ meaning ” the play is going to have for us depends on how we wish to interpret all the ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth