Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 89
Where the parts by their harmony produce an effect of a whole , but where there is no seen form of a whole producing or explaining the parts of it , where the parts only are seen and distinguished , but the whole is felt -- the ...
Where the parts by their harmony produce an effect of a whole , but where there is no seen form of a whole producing or explaining the parts of it , where the parts only are seen and distinguished , but the whole is felt -- the ...
Page 103
... the ablest landscape - painter now living , whose pictures are , however , too much abstractions of aerial perspective , and representations not properly of the objects of nature as of the medium through which they were seen .
... the ablest landscape - painter now living , whose pictures are , however , too much abstractions of aerial perspective , and representations not properly of the objects of nature as of the medium through which they were seen .
Page 213
pret , the abruptness of so much of their work , when the Abstract Expressionists are seen as continuing the ongoing tradition of romantic anxiety and aspiration it may make their works seem less distant and severe .
pret , the abruptness of so much of their work , when the Abstract Expressionists are seen as continuing the ongoing tradition of romantic anxiety and aspiration it may make their works seem less distant and severe .
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth
References to this book
Bibliographic information
| Title | Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, James B. Twitchell |
| Author | James B. Twitchell |
| Edition | illustrated |
| Publisher | University of Missouri Press, 1983 |
| Original from | the University of Michigan |
| Digitized | 4 Mar 2008 |
| ISBN | 0826204112, 9780826204110 |
| Length | 232 pages |
| Subjects | › Art / General |
| Export Citation | BiBTeX EndNote RefMan |