Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 20
The Psychological Structure of Sublimity Wordsworth would never have had any great effect on me, if he had merely placed before me beautiful pictures of natural scenery. Scott does this still better than Wordsworth, ...
The Psychological Structure of Sublimity Wordsworth would never have had any great effect on me, if he had merely placed before me beautiful pictures of natural scenery. Scott does this still better than Wordsworth, ...
Page 25
He must be merged , made part of some “ process structure ” beyond the self . In a sense , then , the experience of the sublime is an initiation , unique in that the welcoming structure is not communal but psychological and the ...
He must be merged , made part of some “ process structure ” beyond the self . In a sense , then , the experience of the sublime is an initiation , unique in that the welcoming structure is not communal but psychological and the ...
Page 29
Prior to that time the poets , scientists , and theologians all worked within a supernatural structure that was based on such organizing concepts as the Chain of Being and the Ptolemaic universe . The supernatural hierarchies that these ...
Prior to that time the poets , scientists , and theologians all worked within a supernatural structure that was based on such organizing concepts as the Chain of Being and the Ptolemaic universe . The supernatural hierarchies that these ...
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth