Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770-1850, Volume 10 |
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Page 20
It is to emphasize the importance of vision in the romantic sublime that I have sought to pair off painting and poetry, not as illustrations of each other but as examples of a change in "handwriting." I believe one can find a vocabulary ...
It is to emphasize the importance of vision in the romantic sublime that I have sought to pair off painting and poetry, not as illustrations of each other but as examples of a change in "handwriting." I believe one can find a vocabulary ...
Page 10
A horizon marks the edge of an impediment to the line of vision , and such an edge invariably invites the suggestion that the impediment may not be effective , or as effective , beyond the point where it appears to end .
A horizon marks the edge of an impediment to the line of vision , and such an edge invariably invites the suggestion that the impediment may not be effective , or as effective , beyond the point where it appears to end .
Page 20
It is to emphasize the importance of vision in the romantic sublime that I have sought to pair off painting and poetry , not as illustrations of each other but as examples of a change in “ handwriting .
It is to emphasize the importance of vision in the romantic sublime that I have sought to pair off painting and poetry , not as illustrations of each other but as examples of a change in “ handwriting .
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Contents
William Blake The Arlington Court Picture | 52 |
Evening | 78 |
W Turner The Slave Ship | 101 |
Copyright | |
8 other sections not shown
Common terms and phrases
achieved aesthetic Ancient appear artists attempt awareness beautiful became become Blake Byron called cave central century clearly clouds Coleridge color concerned consciousness considered Constable Constable's continue cosmic Cozens critics Cynthia daemons described earth edge effect elevated Endymion English especially eternal ethereal exist experience explain fact feel finally forms give heaven higher horizon human imagination important interest interpretations John Keats kind landscape light liminal lines look Manfred Martin matter meaning mind mountains nature never nineteenth objects once organized painters painting picture play pleasure poem poet poetry Prometheus psychological refers result romantic scene seems seen sense Shelley side soul space spirits structure Study sublime things thought threshold tion tradition trees turn Turner Unbound understanding universe vision visual Wordsworth