The Arnoldian, Volumes 7-9Department of English, U.S. Naval Academy, 1979 |
From inside the book
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Page 8
... expression , and a picture with the same subject , Poussin's Annunciation ( 1657 , National Gallery , Washington ) , is used for comparison . Poussin's picture illustrates a convention of treating religious subjects which began with ...
... expression , and a picture with the same subject , Poussin's Annunciation ( 1657 , National Gallery , Washington ) , is used for comparison . Poussin's picture illustrates a convention of treating religious subjects which began with ...
Page 9
... expression in Carlyle's Past and Present , helped to account for the resurgence of interest in the Wat Tyler legend in imaginative and polemical literature . In part , the very raggedness of the story - its openness to interpretation ...
... expression in Carlyle's Past and Present , helped to account for the resurgence of interest in the Wat Tyler legend in imaginative and polemical literature . In part , the very raggedness of the story - its openness to interpretation ...
Page 10
... expression of abstract ideals and the almost certain prelude to com- promise and disillusionment . -Nancy Aycock Metz Virginia Polytechnic Institute and State University A Note on Arnold Scholarship— Winter 1978 - Spring 1979 In a ...
... expression of abstract ideals and the almost certain prelude to com- promise and disillusionment . -Nancy Aycock Metz Virginia Polytechnic Institute and State University A Note on Arnold Scholarship— Winter 1978 - Spring 1979 In a ...
Page 11
... expressing its impact in his poetry . . . . The one completely successful poem is Dover Beach ( 1867 ) , in which the concerns of all his introspective poems find a perfect expression , matter - of - fact without being prosaic " ( 43-44 ) ...
... expressing its impact in his poetry . . . . The one completely successful poem is Dover Beach ( 1867 ) , in which the concerns of all his introspective poems find a perfect expression , matter - of - fact without being prosaic " ( 43-44 ) ...
Page 25
... expression of " the spiritual condition of the age , " and he decides that Pater's difference from his contemporaries lies precisely in his ability to trace the transmutation of the spirit of the age into an aesthetic or formal ...
... expression of " the spiritual condition of the age , " and he decides that Pater's difference from his contemporaries lies precisely in his ability to trace the transmutation of the spirit of the age into an aesthetic or formal ...
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Common terms and phrases
aesthetic architecture argues ARNOLD A CHARIVARI Arnoldian Austen biography British Browning Browning's Buddhism Calder Carlyle Carlyle's chapter character CHARIVARI TO MATTHEW Clough concept consciousness context critical Culture and Anarchy discussion Dover Beach Duchess Editor Emerson Empedocles English Epipolae essay example experience fact fiction Gothic Gothic fiction Honan human ideal ideas Idylls imagination intellectual interest Jane Austen language letters literary Literature and Dogma London Matthew Arnold medieval metaphor mind modern moral nature Naval Academy nineteenth century notes novels Oxford parody Pater Philistine philosophy Plato Plutarch poem poet poetic political portrait Professor prose published reader reading religion religious Review Romantic Romanticism Ruskin satire says schools sense social spirit Stones of Venice suggests sweetness and light T. S. Eliot Tennyson theme thought Thucydides tradition U.S. Naval Academy Univ Vanity Fair Victorian literature Victorian Poetry vision William words Wordsworth writing York
Popular passages
Page 47 - But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.
Page 70 - THE future of poetry is immense, because in poetry, where it is worthy of its high destinies, our race, as time goes on, will find an ever surer and surer stay.
Page 52 - He who knows that power is inborn, that he is weak because he has looked for good out of him and elsewhere, and, so perceiving, throws himself unhesitatingly on his thought, instantly rights himself, stands in the erect position, commands his limbs, works miracles; just as a man who stands on his feet is stronger than a man who stands on his head.
Page 29 - Paul, one feels inclined to rub one's eyes and ask oneself whether man is indeed a gentle and simple being, showing the traces of a noble and divine nature ; or an unhappy chained captive, labouring with groanings that cannot be uttered to free himself from the body of this death.
Page 25 - He call'd them untaught knaves, unmannerly, To bring a slovenly, unhandsome corse Betwixt the wind and his nobility.
Page 28 - OTHERS abide our question. Thou art free. We ask and ask — Thou smilest and art still, Out-topping knowledge. For the loftiest hill, Who to the stars uncrowns his majesty, Planting his steadfast footsteps in the sea, Making the heaven of heavens his dwelling-place, Spares but the cloudy border of his base To the...
Page 76 - I cannot praise a fugitive and cloistered virtue, unexercised and unbreathed, that never sallies out and sees her adversary, but slinks out of the race, where that immortal garland is to be run for, not without dust and heat. Assuredly we bring not innocence into the world, we bring impurity much rather; that which purifies us is trial, and trial is by what is contrary.
Page 28 - ... his steadfast footsteps in the sea, Making the heaven of heavens his dwelling-place, Spares but the cloudy border of his base To the foil'd searching of mortality ; And thou, who didst the stars and sunbeams know, Self-school'd, self-scann'd, self-honour'd, self-secure, Didst tread on earth unguess'd at.