An English Grammar: Comprehending the Principles and Rules of the Language : Illustrated by Appropriate Exercises, and a Key to the Exercises, Volume 1Collins and Company, 1819 - English language |
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Page xii
... moods , tenses , and cases Of conjunctions requiring the subjunctive mood , & c . Of the syntax of interjections 204 205 , 213 224 214 217 222 225 , 234 Of comparisons by the conjunction than or as Directions respecting the ellipsis ...
... moods , tenses , and cases Of conjunctions requiring the subjunctive mood , & c . Of the syntax of interjections 204 205 , 213 224 214 217 222 225 , 234 Of comparisons by the conjunction than or as Directions respecting the ellipsis ...
Page 63
... moods , will be found to agree with and illus- trate them . There are five modes of verbs . THE SUBJUNCTIVE , THE INDICATIVE , THE IMPERATIVE , THE POTENTIAL , AND THE INFINITIVE . The Indicative Mood simply indicates or declares a ...
... moods , will be found to agree with and illus- trate them . There are five modes of verbs . THE SUBJUNCTIVE , THE INDICATIVE , THE IMPERATIVE , THE POTENTIAL , AND THE INFINITIVE . The Indicative Mood simply indicates or declares a ...
Page 64
... Subjunctive Mood represents a thing under a condition , motive , wish , supposition , & c .; and is preceded by a conjunction , expressed or under- stood , and attended by another verb : as , " I will respect him , though he chide me ...
... Subjunctive Mood represents a thing under a condition , motive , wish , supposition , & c .; and is preceded by a conjunction , expressed or under- stood , and attended by another verb : as , " I will respect him , though he chide me ...
Page 66
... Mood . THAT the Potential Mood should be separated from the subjunctive , is evident , from the intricacy and confusion which are produced by their being blended together , and from the distinct nature of the two moods ; the former of ...
... Mood . THAT the Potential Mood should be separated from the subjunctive , is evident , from the intricacy and confusion which are produced by their being blended together , and from the distinct nature of the two moods ; the former of ...
Page 67
... Mood , as distinguished above from the Subjunctive , coincides with the indicative . But as the latter " simply indicates or declares a thing , " it is manifest that the former , which modi- fies the declaration , and introduces an idea ...
... Mood , as distinguished above from the Subjunctive , coincides with the indicative . But as the latter " simply indicates or declares a thing , " it is manifest that the former , which modi- fies the declaration , and introduces an idea ...
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Common terms and phrases
accent according to RULE action active verb adjective pronoun admit adverb agreeable appears auxiliary auxiliary verbs better cęsura Chap comma common substantive conjugated conjunction connexion considered consonant construction denote derived diphthong distinct ellipsis English English language examples Exercises expression following sentence frequently future tense gender genitive give governed grammar grammarians happy ideas imperative mood imperfect tense improve indicative mood infinitive mood instances interrogative irregular verb king language learner Lord loved manner means mind nature nominative noun object observations occasions participle particular passive pause perfect personal pronoun perspicuity phrases pleasure PLUPERFECT TENSE plural number possessive Potential Mood preceding preposition present tense principles proper properly propriety relative respect Rule of Syntax sense sentiments signifies singular number sometimes sound speak speech subjunctive mood syllable tence termination thing thou tion tongue Trochee verb active verb neuter virtue voice vowel words writers
Popular passages
Page 324 - Tremble, thou earth, at the presence of the Lord, at the presence of the God of Jacob ; Which turned the rock into a standing water, the flint into a fountain of waters.
Page 319 - Thou preparedst room before it, And didst cause it to take deep root, and it filled the land. The hills were covered with the shadow of it, And the boughs thereof were like the goodly cedars. She sent out her boughs unto the sea, And her branches unto the river.
Page 312 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 354 - The only point where human bliss stands still, And tastes the good without the fall to ill ; Where only merit constant pay receives, Is...
Page 95 - But a certain maid beheld him as he sat by the fire, and earnestly looked upon him, and said, This man was also with him. 57 And he denied him, saying, Woman, I know him not.
Page 302 - OUR sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments.
Page 320 - Before the gates there sat On either side a formidable shape; The one seem'd woman to the waist, and fair, But ended foul in many a scaly fold...
Page 163 - Near yonder copse, where once the garden smiled, And still where many a garden -flower grows wild; There, where a few torn shrubs the place disclose, The village preacher's modest mansion rose. A man he was to all the country dear, And passing rich with forty pounds a year...
Page 262 - Know then this truth (enough for man to know) 'Virtue alone is happiness below.
Page 305 - Homer was the greater genius; Virgil, the better artist; in the one, we most admire the man; in. the other, the work. Homer hurries us with a commanding impetuosity; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow; Virgil, like a river in its banks, with a constant stream.