Poets and Novelists: A Series of Literary Studies |
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Page 10
... style , were scattered in multifarious publi- cations , and procured for him but small profit and no fame . These years , from thirty to seven - and - thirty , which ought to have been the brightest , were the most cheerless of his ...
... style , were scattered in multifarious publi- cations , and procured for him but small profit and no fame . These years , from thirty to seven - and - thirty , which ought to have been the brightest , were the most cheerless of his ...
Page 12
... style was to the style of Dickens what marble is to clay ; and although he never attained to the suc- cessful vogue of his contemporary , in his lifetime , it was evident to the critical eye that the writings of Thackeray had in them ...
... style was to the style of Dickens what marble is to clay ; and although he never attained to the suc- cessful vogue of his contemporary , in his lifetime , it was evident to the critical eye that the writings of Thackeray had in them ...
Page 13
... style and treatment as his novels , the rest of the life of Thackeray passed away . The last fifteen years of it were years of success , celebrity , and comparative affluence . He had attained a commanding position in literature and in ...
... style and treatment as his novels , the rest of the life of Thackeray passed away . The last fifteen years of it were years of success , celebrity , and comparative affluence . He had attained a commanding position in literature and in ...
Page 23
... style , indeed , Esmond ' is an incredible tour - de - force , and is by far the most original of all his books . For the first time the author transplants us to that age which afterwards became of such absorbing interest to him that he ...
... style , indeed , Esmond ' is an incredible tour - de - force , and is by far the most original of all his books . For the first time the author transplants us to that age which afterwards became of such absorbing interest to him that he ...
Page 55
... style . It is style even more than matter which embalms a literary reputation . the faithfulness with which he spake the English tongue we believe future generations will testify . Whatsoever was good , honest , and true found in him a ...
... style . It is style even more than matter which embalms a literary reputation . the faithfulness with which he spake the English tongue we believe future generations will testify . Whatsoever was good , honest , and true found in him a ...
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Common terms and phrases
admirable amongst Anne Brontë appears artist attained beauty Brook Farm Browning Buchanan Burnham Beeches character Charlotte Brontë criticism death delight Elizabeth Barrett Browning excellent exhibit eyes fact feeling fiction Fielding Fielding's fugitive verse genius gift give grace hand Hawthorne Headlong Hall heart heaven human humour humourist imagination individual intellectual interest Jane Eyre labour light literary literature live London Poems look matter mind nature never novel novelist passed passion pathos Peacock perfect poem poet poetic poetry portrait possessed qualities racter reader regard remarkable romance satire scarcely seems shadow Shakspeare singer sketches smile society song soul spirit story strength strong style sweet Thackeray thee things THOMAS LOVE PEACOCK thou thought tion Tom Jones touch true truth Vanity Fair vers de société verse volume whilst woman writer written wrote
Popular passages
Page 99 - How do I love thee ? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace.
Page 368 - TO DAFFODILS FAIR Daffodils, we weep to see You haste away so soon : As yet the early-rising Sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song ; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a Spring ; As quick a growth to meet decay As you, or any thing.
Page 41 - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
Page 370 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Page 231 - If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.
Page 369 - Her eyes the glow-worm lend thee, The shooting stars attend thee, And the elves also, Whose little eyes glow Like the sparks of fire, befriend thee. No...
Page 102 - Get leave to work In this world — 'tis the best you get at all; For God, in cursing, gives us better gifts Than men in benediction. God says, "Sweat For foreheads," men say "crowns," and so we are crowned, Ay, gashed by some tormenting circle of steel Which snaps with a secret spring. Get work, get work; Be sure 'tis better than what you work to get.
Page 185 - Finding it so directly on the threshold of our narrative, which is now about to issue from that inauspicious portal, we could hardly do otherwise than pluck one of its flowers and present it to the reader. It may serve, let us hope, to symbolize some sweet moral blossom, that may be found along the track, or relieve the darkening close of a tale of human frailty and sorrow.
Page 237 - Earth and moon were gone And suns and universes ceased to be And thou wert left alone Every Existence would exist in thee...
Page 90 - And we think that, in some pause of angels' song, God may pluck them with the silence sweet to gather, And hold both within his right hand which is strong. 'Our Father!' If He heard us, He would surely (For they call Him good and mild) Answer, smiling down the steep world very purely, 'Come and rest with me, my child.
References to this book
Relative Creatures: Victorian Women in Society and the Novel, 1837-67 Françoise Basch No preview available - 1974 |