His honest pencil touch'd with truth, He loft his friends, his practice fail'd, For no one fent the second pay. Two buftos, fraught with ev'ry grace, He plac'd in view; refolv'd to please, From these corrected ev'ry feature, And spirited each aukward creature. All things were fet; the hour was come, His pallet ready o'er his thumb, My lord appear'd, and seated right In proper attitude and light, The Painter look'd, he sketch'd the piece, Then dipt his pencil, talk'd of Greece, Of Of Titian's tints, of Guido's air; Those eyes, my lord, the spirit there The features fraught with sense and wit But yet with patience you shall view Obferve the work. My lord reply'd, Oh, pardon me, the artist cry'd, In this we painters must decide. The piece ev'n common eyes must strike, My lord examin'd it anew; No looking-glass seem'd half so true. A A lady came, with borrow'd grace Through all the town his art they prais'd, His custom grew, his price was rais'd. Would any man the picture own? FABLE I.Wootton inv. PFourdrinier scul FABLE XIX. The LYON and the CUB. OW fond are men of rule and place, HOW Who court it from the mean and base! These cannot bear an equal nigh, But from fuperior merit fly; They They love the cellar's vulgar joke, And lose their hours in ale and fmoak; So poor, fo paultry is their pride! Nay, ev'n with fools whole nights will fit, If these can read, to these I write, A Lyon-cub, of fordid mind, Avoided all the lyon kind ; Fond of applause, he fought the feasts Of vulgar and ignoble beasts, With affes all his time he spent, Their club's perpetual president. He caught their manners, looks and airs: An afs in ev'ry thing, but ears! If |