Analyzing Bach CantatasBach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are few. In this book, noted Bach expert Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of these works. A respected theorist of seventeenth-century music, Chafe is sensitive to the composer's intentions and to the enduring and universal qualities of the music itself. Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Chafe shows how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory. Analyzing Bach Cantatas offers valuable information on the theological relevance of the structure of the liturgical year for the design and content of these works, as well as a survey of the theories of modality that inform Bach's compositional style. Chafe demonstrates that, while Bach certainly employed "pictorialism" and word-painting in his compositions, his method of writing music was a more complex amalgam of theological concepts and music theory. Regarding the cantatas as musical allegories that reflect the fundamental tenets of Lutheran theology as established during Bach's lifetime, Chafe synthesizes a number of key musical and theological ideas to illuminate the essential character of these great works. This unique and insightful book offers an essential methodology for understanding one of the central bodies of work in the Western musical canon. It will prove indispensable for all students and scholars of Bach's work, musicology, and theological studies. |
From inside the book
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Page x
... themes of this study : Bach's interaction with modal melodies , especially with those that contain anomalous events — such as their ending with a change of mode — and the influence of those melodies on multimovement cantata designs ...
... themes of this study : Bach's interaction with modal melodies , especially with those that contain anomalous events — such as their ending with a change of mode — and the influence of those melodies on multimovement cantata designs ...
Page xiii
... themes of Lutheranism - Law versus Gospel , love of God and love of one's neighbor , human imperfection , and the hope of eternity - presenting them in a cantata design featuring two chorales , beginning and ending the work , with modal ...
... themes of Lutheranism - Law versus Gospel , love of God and love of one's neighbor , human imperfection , and the hope of eternity - presenting them in a cantata design featuring two chorales , beginning and ending the work , with modal ...
Page xiv
... themes , of which the most pro- minent are : ( 1 ) the ways in which traditional hermeneutics influenced the texts and overall designs of the cantatas ; ( 2 ) the viewing of cantatas in relation to their placing within the liturgical ...
... themes , of which the most pro- minent are : ( 1 ) the ways in which traditional hermeneutics influenced the texts and overall designs of the cantatas ; ( 2 ) the viewing of cantatas in relation to their placing within the liturgical ...
Page xvii
... themes introduced above , some of the cantatas that are not well known , such as Cantata 153 , have required rather elaborate extended discussions , whereas discussions of other cantatas are relatively straightforward . The reader will ...
... themes introduced above , some of the cantatas that are not well known , such as Cantata 153 , have required rather elaborate extended discussions , whereas discussions of other cantatas are relatively straightforward . The reader will ...
Page 6
... theme - death under the Law and the Gospel - in as broad and comprehensive a theological context as possible . 10 Within that context the chronological aspect of the text mirrors the eras of “ salvation history ” —the time of Israel ...
... theme - death under the Law and the Gospel - in as broad and comprehensive a theological context as possible . 10 Within that context the chronological aspect of the text mirrors the eras of “ salvation history ” —the time of Israel ...
Contents
FOUR | 52 |
MODAL QUESTIONS | 72 |
SEVEN | 151 |
EIGHT | 183 |
NINE | 220 |
NOTES | 241 |
BIBLIOGRAPHY | 271 |
INDEX | 277 |
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Common terms and phrases
Ach Gott Adams Fall allegory alte Jahr Andreas Werckmeister aria articulate ascent associated Bach cantatas Bach's setting bass basso continuo beginning believer's canon Cantata 21 Cantata 77 cantus durus cantus mollis chapter chorale melody chord chorus Christ descent described dominant Dorian Dorian mode Du sollt Gott faith fifth final cadence final chorale flat God's Gospel Gottes Namen harmonic heil'gen zehn Gebot hermeneutics Herr hexachord human Hypophrygian Hypophrygian mode idea interpretation J. S. Bach Jesus Johann Johann Sebastian Bach key signature Kirnberger Kuhnau Leipzig Liebe lieben liturgical Luther's Lutheran major minor mirror Mixolydian modal mode modulation movement of Cantata opening movement Phrygian pitch recitative represents ritornello salvation scripture Seele sequence shift sollt Gott soprano subdominant Sunday after Trinity tenor Testament tetrachord theme theological Tonal Allegory Tonal Language tone tonic triads tribulation tromba da tirarsi trumpet verse Werckmeister Werckmeister's word
Popular passages
Page 102 - For as the rain cometh down, And the snow from heaven, And returneth not thither, But watereth the earth, And maketh it bring forth and bud, That it may give seed to the sower, and bread to the eater: So shall my word be that goeth forth out of my mouth: It shall not return unto me void, But it shall accomplish that which I please, And it shall prosper in the thing whereto I sent it.
Page 44 - But the God of all grace, who hath called us unto his eternal glory by Christ Jesus, after that ye have suffered a while, make you perfect, stablish, strengthen, settle you.
Page 46 - And saith unto him, Every man at the beginning doth set forth good wine; and when men have well drunk, then that which is worse: but thou hast kept the good wine until now. This beginning of miracles did Jesus in Cana of Galilee, and manifested forth his glory; and his disciples believed on him.
Page 102 - Brot zu essen: also soll das Wort, so aus meinem Munde gehet, auch sein. Es soll nicht wieder zu mir leer kommen, sondern tun, das mir gefällt, und soll ihm gelingen, dazu ich's sende
Page 242 - Welche ich lieb habe, die strafe und züchtige ich. So sei nun fleißig, und tu Buße. zoSiehe, ich stehe vor der Tür und klopfe an. So jemand meine Stimme hören wird und die Tür auftun, zu dem werde ich eingehen und das Abendmahl mit ihm halten und er mit mir.
Page 44 - Was betrübst du dich, meine Seele, und bist so unruhig in mir? Harre auf Gott; Denn ich werde ihm noch danken, daß er meines Angesichts Hilfe und mein Gott ist.
Page 18 - And that, knowing the time, that now it is high time to awake out of sleep : for now is our salvation nearer than when we believed. The night is far spent, the day is at hand; let us therefore cast off the works of darkness, and let us put on the armour of light.
Page 3 - Littera gesta docet, quid credas allegoria, Moralis quid agas, quo tendas anagogia.
Page 263 - Et incarnatus est de Spiritu Sancto ex Maria Virgine; et homo factus est. Crucifixus etiam pro nobis: sub Pontio Pilato passus, et sepultus est.
Page 110 - Gwalt mit seiner List erschrecken. 7. W« hofft in Gott und dem vertraut, der wird nimmer zu Schanden; denn wer auf diesen Felsen baut, ob ihm gleich geht zu Händen viel Unfalls hie, Hab ich doch nie den Menschen sehen fallen, der sich verläßt auf Gottes Trost; er hilft sein Gläubgen allen.