Sangeet Natak, Issues 11-14

accompaniment according actors Aeschylus Akademi ancient appear artistes audience beauty became become Bengal Bharata called century characters Chavittu-Natakam Chhau classical common composed compositions costumes culture dance dance-drama dancers Delhi developed drama drum epic expression fact festival gamakas give given Gopeshwar Babu hand held important Indian influence instruments interest Karnatak Kathakali Kerala King known master matras means Mela mentioned Mirashibuwa movement musicians Muslim nature Natya notes occasion original performance period play popular practice pradakshina present produced published ragas region result rhythm role Sangeet Natak Sanskrit says scene School similar singing social songs South stage steps story string style sung svaras tala Tamasha Tamil temple Thata theme tion tradition variety various village vogue women Yakshagana Yatra young रे