Bombay Cinema: An Archive of the City |
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Aamir Khan aesthetic Ajay Akhtar Alisha Amitabh Bachchan anxiety architectural Baazigar Bachchan becomes Bombay cinema Bombay film Bombay's brother camera Chameli characters childhood cinematic city commodity conflict contemporary context create crisis crowd culture dance Deewar deployed desire Dil Chahta Hai discourse display emerged everyday evokes exploration family films fashion film industry flânerie flâneur gang gangster films gaze genre gestures Ghulam global hero Hindi cinema Hindu interior Javed Akhtar journey Karan Karan Johar Karna landscape language lifestyle mise-en-scène modernity movement moves Munna Nandy narrative nationalist nightclub Paanch panoramic Parinda past performance played political popular cinema present protagonists psychotic Rahul Ram Gopal Ram Gopal Varma Rangeela Ravi relationship role Sarika Satya sexuality Shahrukh Khan Sharmishtha Shiv Sena shots Sidhu social song sequences spatial spectacular spectator story street tapori television tion tradition underworld urban experience urban space vamp Varma Vijay Vijay's violence visual
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Page xv - Award of the Graduate School of Arts and Sciences at New York University; and the Shelby Cullom Davis Center for Historical Studies at Princeton University.