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made a considerable sum by his 'Apprentice' and his benefit, retired from the stage the owner of 100%. after his debts had been paid. On 30 March 1757, for Mossop's benefit, was played at Drury Lane the Upholsterer, or What News?' a two-act farce by Murphy, avowedly taken from the Tatler,' but owing more to Fielding's 'Coffee-house Politician.' Superbly acted by Garrick, Yates, Woodward, Palmer, Mrs. Clive, and Mrs. Yates, the piece long held possession of the stage. In 1763 Murphy made alterations in it, and in 1807 an additional scene by Joseph Moser [q. v.], printed in the European Magazine,' vol. lii., was supplied. It shows a number of meddling tradesmen neglecting their own business to discuss political issues, and is a fairly clever caricature. Meanwhile, in 1757 he applied for admission as a student to the Middle Temple, and was refused by the benchers on the ground that he was an actor. He then began, in opposition to the 'Contest' of Owen Ruffhead, the Test,' a weekly paper, in which he supported Henry Fox, afterwards Lord Holland [q. v.], by whom Lord Mansfield was induced to take up the cause of Murphy, and secure his admission at Lincoln's Inn. In opposition to the North Briton' he also edited a weekly paper called The Auditor.'

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Murphy's first tragedy, The Orphan of China, 8vo, 1759, was produced at Drury Lane 21 April 1759, and played nine times. It was built upon the 'Orphelin de la Chine' of Voltaire, produced 20 Aug. 1755 at the Théâtre Français. Reshaped by Murphy it was played with indifferent success at Covent Garden, 6 Nov. 1777, and was acted in Dublin so recently as 1810. On 24 Jan. 1759 two pieces by Murphy were produced at Drury Lane. The Desert Island,' 8vo, 1760, is a dull dramatic poem in three acts, imitated from Metastasio. 'The Way to keep him,' a comedy, 8vo, 1760, was played and printed originally in three acts. On 10 Jan. 1761 it was produced in five acts, the characters of Sir Bashful and Lady Constant being added and other changes made. Garrick on both occasions played Lovemore. The piece, which had a considerable success, was reprinted in its enlarged form, 8vo, 1761. It satirises with some cleverness women who after marriage are at no pains to retain their husbands. All in the Wrong,' Svo, 1761, an adaptation of Molière's 'Cocu Imaginaire,' was brought out by Foote and rphy in partnership during a summer seaDrury Lane, 15 June 1761. On 2 July tizen,' 8vo, 1763, printed as a farce s a comedy, and 'The Old Maid,' comedy, both by Murphy, were

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played under the same joint-management. The earlier piece owes something to the 'Fausse Agnès' of Destouches, produced two years earlier in Paris; the second, a twoact comedy, is indebted to 'L'Étourderie of Fagan. No one's Enemy but his own,' 8vo, 1764, a three-act comedy, subsequently shortened to two acts, given at Drury Lane 9 Jan. 1764, a version of L'Indiscret' of Voltaire, was unsuccessful, as was a second piece by Murphy, taken from the 'Guardian,' No. 173, and called at first 'What we must. all come to,' 8vo, 1764. This was hissed from the stage before the performance was completed. Revived 30 March 1776 it was successful, and has since been frequently played as 'Three Weeks after Marriage.' The Choice,' not printed apparently until 1786, was played at Drury Lane 23 Feb. 1764. The School for Guardians,' 8vo, 1767, was given at Covent Garden 10 Jan. 1667. It is founded on three plays of Molière, 'L'École des Femmes' being principally used, and was subsequently at the same house turned into a three-act opera called 'Love finds the Way.' Murphy's tragedy 'Zenobia,' 8vo, 1768, 1786, was given at Drury Lane 27 Feb. 1768, and is a translation from Crébillon. It was followed, 26 Feb. 1772, at the same theatre by 'The Grecian Daughter,' 8vo, 1772, Murphy's best-known tragedy. Al zuma,' 8vo, 1773, a tragedy, 23 Feb. 1773, saw the light at Covent Garden. It is an unsuccessful compilation from many plays. News from Parnassus,' a rather sparkling satire on actors, critics, &c., printed only in the collection of Murphy's works, was given at Covent Garden 23 Sept. 1776. Know your own Mind,' 8vo, 1778, a rendering of the 'Irrésolu' of Destouches, was played for Woodward's benefit at Covent Garden, 10 April 1777. The Rival Sisters,' Svo, 1786, was not acted until 18 March 1793, when for her benefit Mrs. Siddons produced it and played Ariadne. Another tragedy, Arminius,' included in the 1786 collection, was not seen on the stage.

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Murphy retired from the bar in 1788. He had made very considerable sums by his dramas, and had inherited a bequest of West Indian slaves, which he sold for 1,000l., but remained in straitened circumstances, and was appointed by Lord Loughborough a commissioner of bankrupts. At the recommendation of Addington he was granted a pension of 2001. a year by George III, beginning 5 Jan. 1803. He involved himself in considerable debt, however, in his attempts to publish his translations, and was compelled to sell his residence, the westernmost house in Hammersmith Terrace, and a portion of

Ls trary. It is stated that he ate himself of every tavern from the other end of Temple Bar to the West End. He afterwards ved in Brompton, and was in the habir, when writing, of staying at an hotel at Rehmood. It was only in his later years, when his health and mind had begun to fail, that he was free from pecuniary embarrassments. He was a favourite in society, a gast at noble houses, and a man much respected and courted. According to his frei Samuel Rogers, whom he introduced to the Piozzis, Murphy used at one time to walk arm in arm with Lord Loughborough. Rogers, who had bills of his for over 2001, received an assignment of his Tacitus' and other works, and found that they had already been assigned to a bookseller. For this conduct Murphy offered an abject apology. On other occasions the honourable conduct of Murphy is praised. He was in 1784 a member of the Essex Head Club, and Johnson, according to the Collectanea' of Dr. Maxwell, 'very much loved him.' His correspondence with Garrick shows him, however, suspicious and irascible, if soon appeased. Rogers says that when any of his plays encountered opposition he took a walk to cool himself in Covent Garden.

by Cook after Dance. These consist of the plays and the 'Gray's Inn Journal.' Many of his plays figure in Bell's, Inchbald's, and other collections.

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Murphy edited in 1762 an edition in 12 vols. of the Works' of Henry Fielding, with a life, giving facts with very slight attention to chronological sequence. In 1801 he issued in 2 vols. a Life of David Garrick,' which is clumsy and ill-digested and largely occupied with his own relations, seldom too amiable, to Garrick. It was abridged and translated into French. He published an Essay on the Life and Genius of Samuel Johnson, LL.D.,' 8vo, 1792, and collected materials for a life of Foote. He translated Tacitus' in 4 vols. 4to, 1793, described as an 'elegant but too paraphrastic version;' Sallust, 8vo, 1807; Vaniere's 'The Bees,' from the 14th Book of the 'Prædium Rusticum,' and Vida's 'Game of Chess.' Other works by him are: A Letter to Mons. de Voltaire on the "Desert Island," by Arthur Murphy,' London, 1760, 8vo; 'The Examiner [originally called 'The Expostulation']: a Satire by Arthur Murphy,' London, 1761, 4to, directed against Lloyd, Churchill, &c., an answer to 'The Murphiad, a Mock-heroic Poem,' London, 1761, 4to; the Meretriciad,' and other satires; Murphy died 18 June 1805 at his residence, an Ode to the Naiads of Fleet Ditch, by 14 Queen's Row, Knightsbridge. He was Arthur Murphy,' London, 1761, 4to, a furious བ་ buried at his own request in Hammersmith attack on Churchill, who in his Apology' Church in a grave he had previously bought had derided Murphy and his 'Desert Island;' for his mother. An epitaph was placed there Beauties of Magazines, consisting of Essays by his executor and biographer, Jesse Foot by... Murphy, 12mo, 1772; Anecdotes by [q. v. He was fairly well built, narrow- Murphy,' added to Boswell's 'Johnson,' 1835, shouldered, had an oval face with a fair com- 8vo; A Letter from a Right Honourable plexion and full light eyes, and was marked Personage, translated into Verse by A. Murwith the small-pox. Two portraits of him phy,' 4to, 1761; A Letter from the anonyappear in the 'Life' by Foot, and one, painted mous Author of the "Letters Versified" to by Nathaniel Dance, was engraved by W. the anonymous Writer of the "Monitor," Ward. Murphy brought on the stage and 4to, 1761; 'Seventeen Hundred and Ninetylived with a Miss Ann Elliot, an uneducated One: an Imitation of the 13th Satire of Juvegirl of natural abilities, who was his original nal,' 1791, 4to. Maria in the 'Citizen.' He took great interest in her and wrote her biography (1769, 12mo). She died young and left him her money, which he transferred to her relatives. The comedies of Murphy have not in all cases lost the spirit of the originals from which he took them. Several of them were acted early in the present century. His tragedies are among the worst that have obtained any reputation. 7obia,' however, was played so late as 1s Daughter' many yan of invention, Mu plots from previos however, facility an to English tastes. peared in 1786 in 7 vo

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'A Letter from Mons. de Voltaire to the Author of the "Orphan of China,"' London, 8vo, was published in 1759.

The actor's elder brother, JAMES MURPHY (1725-1759), dramatic writer, was born on St. George's Quay, Dublin, in September 1725, and was educated at Westminster School. He studied law in the Middle Temple, and was called to the bar. He soon adopted the surname of French, from ale Jeffery French, M.P. for Milbourne was generally known as James neh. When his brother started m Journal' he joined him, and sionally. He made the acal Foote and David Gar "Trothers,'

comedy adapted from Terence's 'Adelphi,' and a farce entitled 'The Conjuror, or the Enchanted Garden,' neither of which was apparently printed or performed, but a correspondence respecting them is given in Foot's life of Arthur Murphy. He wrote fugitive verse of a passable kind, and some specimens will be found in his brother's biography. In 1758 he went to Jamaica, where his uncle owned some property, intending to practise his profession there, but he died soon after his arrival at Kingston on 5 Jan. 1759 (Foor, Life of Arthur Murphy, p. 114). The manuscripts of his two plays were sold at the sale of Arthur Murphy's library.

[The principal source of information is the biography by Foot (4to, 1811), founded on papers, including portions of an autobiography, left by Murphy. The Garrick Correspondence overflows with letters from him. His stage career is extracted from Genest, who gives a summary of his performances. See also Nichols's Anecdotes; Boswell's Johnson, ed. Hill; Dibdin's Hist. of the Stage; Davies's Dramatic Miscellanies and Life of Garrick; Cumberland's Memoirs; Rogers's Table Talk; Georgian Era; Clark Russell's Representative Actors; Chalmers's Biog. Dict.; Baker's Biographia Dramatica.]

J. K.

by having them engraved as a series, with illustrative text from the pen of Murphy's daughter, Mrs. Anna Brownell Jameson [q.v.] This work was successfully completed and published in 1833 under the title of 'The Beauties of the Court of King Charles the Second.' Murphy occasionally exhibited miniatures in enamel or on ivory at the Royal Academy from 1800 to 1827, but his work did not attain any great distinction. The latter part of his life was very closely connected with that of his more famous daughter, Mrs. Jameson.

Murphy died in March 1842, leaving by his wife, who survived him, five daughters, of whom the eldest, Anna Brownell, married Robert Jameson, and was the well-known writer on art [see JAMESON, ANNA BROWNELL]. Of the others, Camilla became Mrs. Sherwin, and died on 28 May 1886, at Brighton, aged 87, and Louisa became Mrs. Bate, while Eliza and Charlotte Alicia died unmarried, the former at Brighton on 31 March 1874 in her seventy-ninth year, the latter at Ealing on 13 June 1876, aged 71.

[Redgrave's D.ct. of Artists; Mrs. Macpherson's Memoirs of the Life of Anna Jameson; private information.]

L. C.

MURPHY or MORPHY, EDWARD

archiepiscopal acts without the pallium was demanded in the congregation of 5 April.

MURPHY, DENIS BROWNELL (d. 1842), miniature-painter, was a native of or DOMINIC EDWARD (d. 1728), RoDublin. He was a patriot and strong symman catholic archbishop of Dublin, belonged pathiser with the cause of United Ireland in to a family settled in Carlow county. He 1798, but in that year removed for profes- lin on 11 Sept. 1715, on the recommendation was appointed bishop of Kildare and Leighsional reasons to Whitehaven in England of James II, and was consecrated on 18 Dec. with his wife and family. In 1802 they removed to Newcastle-on-Tyne, but in 1803 by Edmond Byrne, archbishop of Dublin. came to London, settling first at Hanwell. of Dublin by a papal brief dated September in He was translated to the archiepiscopal see Murphy had considerable practice as a that year. He was consecrated before 5 Jan. miniature-painter, and was in that capacity attached to the household of Princess Char-1725, and the dispensation to perform all the lotte, being in 1810 appointed painter in ordinary to her royal highness. He copied one or two of Lely's famous 'Beauties,' then at Windsor Castle (now at Hampton Court), and by command of the princess completed a series of miniature copies of these, adding some from pictures not at Windsor. Murphy had apartments assigned him at Windsor during the progress of this work, which was from time to time inspected and approved by the royal family. The set was not completed at the time of the princess's death, which put an end to the work and to Murphy's connection with the court. The paintings were sent in to Prince Leopold, with a claim for payment, but to the painter's great disappointment were declined and returned. The set were, however, purchased by a friend, Sir Gerard Noel, and it was suggested that use should be made of them

VOL. XXXIX.

On 25 Nov. 1728 he applied for a coadjutor, and he died on 22 Dec. in the same year. His death was announced in the propaganda congregation of 13 Feb. 1729. The Rev. Dr. Magee of Stradbally, a descendant of Murphy, speaks of the latter as 'one of the noblest bishops elect that Kildare and Leighlin had just reason to be proud of.'

historian of Kildare in his dedication to the

[O'Byrne's Eccles. Hist. of the Bishops of Kildare and Leighlin, p. 58; W. M. Brady's Episcopal Succession, i. 340, 356; Gams's Series Episcop. Eccles. Hibern. p. 219.] G. LE G. N.

MURPHY, FRANCIS (1795-1858), first Roman catholic bishop of Adelaide, was born at Navan, county Meath, on 20 May 1795, and received his preparatory education in the diocesan seminary of his native town. In

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his twentieth year he entered St. Patrick's College, Maynooth, and in 1826 was ordained a priest by Dr. Daniel Murray, archbishop of Dublin. After serving as missioner at Bradford in Yorkshire for three years, he in 1829 took charge of St. Anne's, Toxteth Park, Liverpool. In 1838 he went out to New South Wales with Dr. Ullathorne (afterwards bishop of Birmingham), and on the latter's recall to England in the same year succeeded him as vicar general of Australia. On 8 Sept. 1844 he was consecrated in St. Mary's Cathedral, Sydney, bishop of the newly established suffragan see of Adelaide, being the first bishop consecrated in Australia. His diocese at this period contained only fifteen hundred Roman catholics, and he came to it with only 1507. which had been subscribed in Sydney. He held service in a store in Pirie Street, Adelaide, until his sole assistant, Michael Ryan, obtained a site and erected a church in West Terrace. The discovery of gold in 1851 caused the dispersion of a large portion of his congregations, and his churches were only kept open by Mr. Ryan visiting the gold fields, and there collecting money from the Adelaide diggers. When the excitement had somewhat subsided, he commenced erecting a cathedral in Victoria Street, but did not live to see it finished. He, however, succeeded in establishing twenty-one churches, served by thirteen priests, and in the management of his diocese won general esteem. He died of consumption at West Terrace, Adelaide, on 26 April 1858, and was buried within the precincts of his cathedral.

[South Australian Register, 27 April 1858; Tablet, 24 July 1858, p. 467; Heaton's Australian Dict. of Dates, 1879, p. 149.] G. C. B.

MURPHY, SIR FRANCIS (1809-1891), first speaker of the legislative assembly of Victoria, son of Francis D. Murphy, superintendent of the transportation of convicts from Ireland, was born at Cork in 1809, and educated in that city. Proceeding to Trinity College, Dublin, he studied medicine, and eventually took his diploma from the Royal College of Surgeons in London.

In June 1836 he arrived at Sydney, and was on 1 Jan. 1837 placed on the staff of colonial surgeons as district surgeon for Bungonia, Argyle county. Becoming interested in agricultural operations, he resigned his appointment in 1840, and settled at Goulburn on a large station, where he became the chief grain grower in the county. He was a magistrate for the district. In 1847 he removed to Port Phillip, and took up land on the Ovens River in the Beechworth district,

farming about fifty thousand acres at Tarawingi.

On the separation of Victoria from New South Wales in 1851, Murphy entered public life as member for Murray in the legislative council. In November 1851 he was appointed chairman of committees. In 1852 he sold his properties, and, going to reside at Melbourne, devoted himself to politics. He was active in promoting improvements; the Scab in Sheep Prevention Act was due to him, and he pressed in 1852–3 a reform of the stateaided education, which was adopted much later. In March 1853, under the new road act he was appointed chairman of the central road hoard, but was at once re-elected for the Murray district, and for short periods during 1853 and 1854 acted first as chairman of committees and again as speaker. In the same year he was a member of the commission on internal communication in the colony. In the debates on the Constitution Bill he showed marked judgment and moderation, and when in 1856 an elective legislature was inaugurated, he entered the assembly as member for the Murray district, resigning his post on the road board. He was at once elected speaker of the assembly by a considerable majority. In 1859 he was unanimously reelected speaker for the second session, and in four subsequent sessions he held the post through the stormy times of McCulloch's contests with the upper chamber [see MCCULLOCH, SIR JAMES]. He was knighted in 1860. Different estimates have been formed of his tenure of the chair during this critical period. Rusden is unfavourable, viewing him as too pliable in the hands of the government; the general contemporary opinion seems to have credited him with firmness and tact.

In the election of 1871 Murphy was defeated in the contest for Grenville, which he had represented since 1865. In the ensuing session, after considerable debate, the house passed an act to present him with a sum of 3,000l. in consideration of his services as speaker during fourteen years. In 1872 Murphy was elected by the eastern province to a seat in the upper house, which he retained for four years without taking a very active part in its discussions. In 1877 he retired into private life, and visited England, where he resided some years.

Murphy was in 1861 a member of the commission on the Burke and Wills expedition, and in 1863 chairman of the league directed against further transportation. He was chairman of the National Bank of Australasia and director of other companies.

Murphy died on 30 March 1891, at his residence, St. Kilda Road, Melbourne, and was

buried in Boroondara cemetery. In 1840 he married the daughter of Lieutenant Reid, R.N., a settler in his neighbourhood. He left six daughters and three sons, one of whom was a member of the legislative assembly of Queensland.

[Melbourne Argus, 31 March 1891; Mennell's Dict. Austral. Biog.; Victorian Parliamentary Debates, passim.]

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C. A. H.

MURPHY, FRANCIS STACK (1810?1860), serjeant-at-law, born in Cork about 1810, was son of Jeremiah Murphy, a rich merchant, whose brother John was catholic bishop of Cork from 1815 to 1847. He was educated at Clongoweswood College, co. Kildare, and was one of the pupils of Francis Sylvester Mahony [q. v.], Father Prout.' Proceeding to Trinity College, Dublin, he graduated B.A. in 1829 and M.A. in 1832. He studied law in London, and in 1833 was called to the English bar. In 1834 he became connected with 'Fraser's Magazine' as an occasional contributor, assisting Father Prout' in his famous 'Reliques.' He was an excellent classical scholar, and was responsible for some of Mahony's Greek and Latin verses (see BATES, Maclise Portrait Gallery, 1883, pp. 464, 466-7). Mahony introduces him in his 'Prout Papers' as 'Frank Cresswell of Furnival's Inn.' In 1837 Murphy became M.P. for co. Cork, and retained the seat for sixteen years. On 25 Feb. 1842 he was made serjeant-at-law, and resigned his place in parliament in September 1853, when appointed one of the commissioners of bankruptcy in Dublin. He died on 17 June 1860. His portrait figures in Maclise's well-known group of 'The Fraserians.' He was a clever lawyer, and was noted for his wit; many of his repartees are recorded in Duffy's League of North and South' (1886, pp. 211, 227) and in Serjeant Robinson's Bench and Bar' (1891). Only one work bears his name on the title-page, 'Reports of Cases argued and determined in the Court of Exchequer, 18361837,' which was written in conjunction with Edwin T. Hurlstone, 8vo, London, 1838.

A first cousin, JEREMIAH DANIEL MURPHY (1806-1824), born at Cork in 1806, developed as a boy rare linguistic faculties, mastering Greek, Latin, French, Portuguese, Spanish, German, and Irish. He contributed to Blackwood's Magazine' some excellent Latin verse: Adventus Regis' (December 1821), and an English poem, 'The Rising of the North' (November 1822). He died of disease of heart on 5 Jan. 1824, and his precocity was commemorated in English and Latin verse in 'Blackwood's' next month (cf. BATES, Maclise Gallery, pp. 41, 489).

[Annual Register, 1860; Gent. Mag. 1860 authorities cited in text.] D. J. O'D. MURPHY, JAMES CAVANAH (17601814), architect and antiquary, was born in 1760 of obscure parents at Blackrock, near Cork, and was originally a bricklayer. He showed early talent for drawing, and made his way to Dublin to study. His name appears in a list of the pupils of the drawing school of the Dublin Society about 1775, as working in miniature, chalk, and crayons (HERBERT, Irish Varieties, p. 56). Afterwards he practised in Dublin, and in 1786 was one of seven architects who were consulted as to the additions to the House of Commons. To him and another was entrusted the execution of James Gandon's design for the work (MULVANY, Life of Gandon, pp. 116, 144). In December 1788 William Burton Conyngham commissioned him to make drawings for him of the great Dominican church and monastery of Batalha, and he accordingly proceeded to Portugal. He was back in Dublin in 1790, and was in England at the end of the year. In 1802 he went to Cadiz, where he remained for seven years studying Moorish architecture and occasionally performing some diplomatic duties. Settling in England in 1809, he spent his time in preparing his notes on Arabian architecture for the press, but died on 12 Sept. 1814 in Edward Street, Cavendish Square (now Lower Seymour Street), when only a portion of his book had been published. T. Hartwell Horne [q. v.] superintended the completion of the publication. T. C. Croker (Researches in the South of Ireland, p. 204) mentions that he left a large collection of notes and drawings. In the library of the Royal Institute of British Architects is a large folio volume of his drawings of arabesque ornaments. He was unmarried, and his estate (5,0007.) was administered in November 1814 by his sister, Hannah, wife of Bernard McNamara.

His published works are: 1. Plans, Elevations, Sections, and Views of the Church of Batalha.... To which is prefixed an Introductory Discourse on the Principles of Gothic Architecture,' twenty-seven plates, London, 1795, 1836. A history and description of the church by Manoel de Sousa Coutinho (translated by Murphy) occupies pp. 27-57. One drawing, Murphy's design for the completion of the monument of King Emmanuel, is in the print room of the British Museum, and a volume of studies and copies of Murphy's letters in the library of the Society of Antiquaries. A German translation of the 'Discourse on Gothic Architecture,' by J. D. E. W. Engelhard, was published in Darmstadt in 1828. 2. 'Travels in Portu

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