Sangeet Natak, Issues 19-22

able accompaniment achieve acting activity actors aesthetic Akademi amateur ancient artistic aspects audience become bring Calcutta called century characters classical comes considered contemporary continuity conventions course create creative dance dancers dialogue direction discussion drama effect elements example exist experience expression fact feel folk followed gamakas give given Greek hand Harmonium human important Indian influence interest introduced Jatra kind language light living meaning mind movement musicians nature notes original particular pattern performance perhaps period play playwright popular possible practice present problem production professional question raga Rasdhari remained Sanskrit seems sense shows side singing Sircar situation social songs sound stage story structure style temple theatrical theme thing tion traditional theatre trying urban values various villages Western whole writing written