Elementary Guide to Literary Criticism |
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... clearly reveal the plan . The work is divided into three parts , the first of which treats of fundamental principles . In three chapters the nature of criticism , the relation of the author to his work , and the æsthetic principles ...
... clearly reveal the plan . The work is divided into three parts , the first of which treats of fundamental principles . In three chapters the nature of criticism , the relation of the author to his work , and the æsthetic principles ...
Page 4
... clear ; and that , in the case of poetry , the laws of versification should be observed . These elements contribute to excel- lence of form . In addition to these external elements there should be unity of thought , symmetry of presen ...
... clear ; and that , in the case of poetry , the laws of versification should be observed . These elements contribute to excel- lence of form . In addition to these external elements there should be unity of thought , symmetry of presen ...
Page 7
... clear insight into literary form , and cultivates his taste for literary excellence . To the author it is at once a stimulant and wholesome restraint ; it rewards him for what is good and chastises him for what is bad . To the public it ...
... clear insight into literary form , and cultivates his taste for literary excellence . To the author it is at once a stimulant and wholesome restraint ; it rewards him for what is good and chastises him for what is bad . To the public it ...
Page 14
... clear , and precise ; and that the typographical execution would be , as in new editions of clas- sical works it ought to be , almost faultless . We are sorry to be obliged to say that the merits of Mr. Croker's performance are on a par ...
... clear , and precise ; and that the typographical execution would be , as in new editions of clas- sical works it ought to be , almost faultless . We are sorry to be obliged to say that the merits of Mr. Croker's performance are on a par ...
Page 19
... clearly reflected in his works . Intellectual force , for example , is recognized in the firm grasp of a subject , in the marshaling of details toward a predetermined end , and in the vigor of utterance . The Essays of Macaulay ...
... clearly reflected in his works . Intellectual force , for example , is recognized in the firm grasp of a subject , in the marshaling of details toward a predetermined end , and in the vigor of utterance . The Essays of Macaulay ...
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Elementary Guide to Literary Criticism F. V. N. (Franklin Verzelius Ne Painter No preview available - 2012 |
Common terms and phrases
æsthetic amphibrach anapest Anglo-Saxon Aristotle artistic ballads beauty blank verse Byron called Carlyle CHAPTER character climax deductive reasoning dénouement didactic discourse distinguished drama element emotion English epic epic poetry essay example excellence expression facts feeling fiction figures George Eliot George Eliot's give heaven human humor hymn iambic pentameter ILLUSTRATIVE AND PRACTICAL imagination important incidents interest introduced Julius Cæsar kinds lines literature lyric lyric poetry Macaulay meant ment metonymy metrical Milton monometer mood moral Name narration narrative nature novel novelists o'er object oration oratory poem poetic poetry poets Pope's portrayed PRACTICAL EXERCISES present principles prose purpose realism REVIEW QUESTIONS rhyme Rhyme royal romanticism satire scenes sentences Shakespeare simile sometimes song soul species spirit stanza story style sublime syllable Synecdoche taste Tennyson's things thought tion trochee truth unity verse Vicar of Wakefield words writers
Popular passages
Page 127 - If thou shouldst never see my face again, Pray for my soul. More things are wrought by prayer Than this world dreams of. Wherefore, let thy voice Rise like a fountain for me night and day.
Page 127 - There is a Power whose care teaches thy way along that pathless coast, the desert and illimitable air — lone wandering, but not lost. All day thy wings have fanned, at that far height, the cold thin atmosphere, yet stoop not, weary, to the welcome land, though the dark night is near.
Page 100 - It happened one day about noon, going towards my boat, I was exceedingly surprised with the print of a man's naked foot on the shore, which was very plain to be seen in the sand. I stood like one thunderstruck, or as if I had seen an apparition.
Page 126 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Page 88 - He hath brought many captives home to Rome, Whose ransoms did the general coffers fill: Did this in Caesar seem ambitious? When that the poor have cried, Caesar hath wept; Ambition should be made of sterner stuff: Yet Brutus says he was ambitious; And Brutus is an honorable man.
Page 141 - Deign on the passing world to turn thine eyes, And pause awhile from letters, to be wise; There mark what ills the scholar's life assail, Toil, envy, want, the patron, and the jail.
Page 125 - Father, Thy hand Hath reared these venerable columns. Thou Didst weave this verdant roof. Thou didst look down Upon the naked earth, and forthwith rose All these fair ranks of trees.
Page 73 - Blow, winds, and crack your cheeks! rage! blow! You cataracts and hurricanoes, spout Till you have drench'd our steeples, drown'd the cocks! You sulphurous and thought-executing fires, Vaunt-couriers to oak-cleaving thunderbolts, Singe my white head! And thou all-shaking thunder, Strike flat the thick rotundity o
Page 66 - I deny not, but that it is of greatest concernment in the church and commonwealth, to have a vigilant eye how books demean themselves as well as men; and thereafter to confine, imprison, and do sharpest justice on them as malefactors...
Page 142 - JENNY kissed me when we met, Jumping from the chair she sat in; Time, you thief, who love to get Sweets into your list, put that in! Say I'm weary, say I'm sad, Say that health and wealth have missed me, Say I'm growing old, but add, Jenny kissed me.