Blake's Prophetic Workshop: A Study of The Four Zoas

Front Cover
Bucknell University Press, 1993 - Literary Criticism - 208 pages
"While William Blake's The Four Zoas may be fascinating to Blake scholars, it presents formidable obstacles to even the most ardent Romanticist, let alone interested critics or the general reader. Blake's Prophetic Workshop attempts to clear some of these obstacles by studying the work from a variety of critical perspectives. It assumes some familiarity with Blake's prophecies, but is cast between the introductory and advanced levels of the two previous books published on the poem." "Although the major reading strategy is close textual analysis, the poem is marked by various cultural and social contexts that need elucidation. Chapters alternate between sketching these contexts and traditions and providing detailed readings within these contexts. The first chapters give a reception history of the work and set it within the tradition of the eighteenth-century "long poem," namely Thomson's Seasons, Pope's An Essay on Man, and Young's Night Thoughts, texts that Blake critiques as Newtonian substitutions of Miltonic prophecy. Chapter three tests these assertions by reading the poem's creation narratives in terms of Anglican-Dissenting apologetics. The final chapters sift the cultural contexts that shape Blake's use of biblical typology and scrutinize several continental philosophies of history, and how they encroach on The Four Zoas, as well as situate the poem in the apocalyptic moment of the 1790s." "While a pluralist approach is followed, author George Anthony Rosso, Jr., subscribes to a fundamentally historical theory that places The Four Zoas in the broad and eclectic tradition of English poetic prophecy. Aware of recent critiques of "the prophetic," Rosso pursues his theory with flexibility and tolerance for other viewpoints." "An appendix provides a useful commentary on the relations between the text and certain designs, drawings, and sketches in the manuscript. Its aim is to show that Blake repeats key images in various frames to provide a sense of context and development, and that the drawings expose what the narrative represses, often in graphic sexual detail. Rosso presents a Blake who is both deadly serious and disarmingly ironic about the relevance of prophecy in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

From inside the book

Contents

A Reception History of The Four Zoas
23
The Uses of Obscurity The Four Zoas in EighteenthCentury Literary History
48
Plotting the Fall Creation Narratives in The Four Zoas
64
Blakes Typology in Historical Context
94
Repetition and Simultaneity Typological History in The Four Zoas Nights IVIIa
109
Consolidating Error History and Apocalypse in Nights VIIbIX
130
Drawings from The Four Zoas
153
A Commentary on the Drawings
164
Notes
180
Works Cited
191
Further Reading
198
Index
201
Copyright

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Page 48 - You say that I want somebody to Elucidate my Ideas. But you ought to know that What is Grand is necessarily obscure to Weak men. That which can be made Explicit to the Idiot is not worth my care. The wisest of the Ancients consider'd what is not too Explicit as the fittest for Instruction, because it rouzes the faculties to act.
Page 148 - In families we see our shadows born, & thence we know « That Man subsists by Brotherhood & Universal Love. « We fall on one another's necks, more closely we embrace. « Not for ourselves; but for the Eternal Family we live. « Man liveth not by Self alone, but in his brother's face * Each shall behold the Eternal Father & love & joy [abound...
Page 109 - For the Methode of a Poet historical is not such, as of an Historiographer. For an Historiographer discourseth of affayres orderly as they were donne, accounting as well the times as the actions; but a Poet thrusteth into the middest, even where it most concerneth him, and there recoursing to the thinges forepaste, and divining of thinges to come, maketh a pleasing analysis of all.
Page 54 - Vast chain of being! which from God began, Natures ethereal, human, angel, man, Beast, bird, fish, insect, what no eye can see, No glass can reach; from Infinite to thee, From thee to nothing.
Page 137 - To swim the deep & on the Land children are sold to trades Of dire necessity still laboring day & night till all Their life extinct they took the spectre form in dark despair...
Page 57 - Oh, the burst gates, crush'd sting, demolish'd throne, Last gasp of vanquish'd Death! Shout earth and heaven, This sum of good to man, whose nature then Took wing, and mounted with him from the tomb ! Then, then, I rose...
Page 54 - Were we to press, inferior might on ours ; Or in the full creation leave a void, Where one step broken the great scale's destroy'd ; From Nature's chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. And, if each system in gradation roll Alike essential to th
Page 74 - Above him rose a Shadow from his wearied intellect Of living gold, pure, perfect, holy; in white linen pure he hover'd A sweet entrancing self delusion...
Page 148 - To the intent that now unto the principalities and powers in heavenly places might be known by the Church the manifold wisdom of God.

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