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What do the stars shining through

the cypress trees symbolize? What is the voice which Whittier

says bids the dreamer leave his

dream What lines do you think best show

the poet's appreciation of beauty

in nature Choose the lines which you like

best as showing his deep affections.

Read lines which show his faith.
Of what is the poet thinking when

he speaks of the “restless sands'

incessant fall''8 To what mythological characters

does he refer when he speaks of the "threads the fatal sisters

spun!!!

What mythological characters are

meant by “the heathen Nino"

Words and Phrases for Discussion "Apollonius" “Hermes” “Egypt's Amun" “Surrey hills” "silhouette"

“White of Selborne" "clean-winged hearth.” "Petruchio's Kate" “Siena's saint"

cranes of Nilus"

THE SHIP-BUILDERS

JOHN GREENLEAF WHITTIER

The sky is ruddy in the east,

The earth is gray below,
And, spectral in the river-mist,

The ship's white timbers show.
Then let the sounds of measured stroke

And grating saw begin;
The broad-axe to the gnarléd oak,

The mallet to the pin!

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10

Hark!-roars the bellows, blast on blast,

The sooty smithy jars,
And fire-sparks, rising far and fast,

Are fading with the stars.
All day for us the smith shall stand

Beside that flashing forge;
All day for us his heavy hand

The groaning anvil scourge.

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HELPS TO STUDY

Notes and Questions
What time of day is indicated in Did you ever see one?

the first and second stanzas ? What is Whittier's idea of a shipWhat tells you this?

builder's work? How does the smith "scourge” In what way would a "yawning the anvil 8

seam” tempt the sea What effect does the poet fancy What is the painted shell'q this has upon the anvil?

How is a ship launched Which of these two thoughts do What other poem have you read

you suppose first occurred to the which describes the launching of poet!

a ship? Who wrote it? What are the “island barges”! Which poem do you like better? What is a “century-circled oak''? Why?

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Words and Phrases for Discussion

"the sailor's citadel"spice of Morningsnowy wing'

land's Desert's golden sand”

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OLIVER WENDELL HOLMES

Oliver Wendell Holmes's birth year, 1809, was made memorable on both sides of the Atlantic by the births of Lincoln, Tennyson, Poe, and Gladstone. His father, of colonial descent, was a Congregational minister at Cambridge. On his mother's side-the Wendells or Vondels—he was of Dutch descent.

Holmes was brought up very simply in the old gambrel-roofed house, half parsonage and half farm house. He read the “New England Primer," "Pilgrim's Progress" and such poems as were to be found in the early school books. Later he was a student at Harvard, a member of the class of 1829, which, while not to be compared for literary genius with the Bowdoin class of 1825, was one of Harvard's most famous classes. Not long after his graduation, the class of 1829 began to hold annual dinners and Holmes was regularly called upon to furnish an ode for the occasion. It was on the thirtieth anniversary that he wrote and recited “The Boys.” In 1889, at the sixtieth anniversary, he wrote the last class poem, “After the Curfew.”

It was in the first year after his graduation that his verses went into type and then he says he had his first attack of “lead poisoning." After leaving Harvard he studied law for a while and then turned to medicine and surgery, spending two years in study in Paris. It is a singular coincidence and shows his double work in life, that in 1836 when he published his first volume of poems he also took his degree as doctor of medicine. As a physician he was always deeply interested in the problems of heredity and he wrote several novels in which inherited characteristics play an important part.

It was in September, 1830, that Holmes chanced to read in a newspaper of the proposal of the Navy Department to dismantle the frigate Constitution, which had done such good service in 1812 but which was then lying, old and unseaworthy, in the navy yard at Charleston. He wrote at once with a lead pencil on a scrap of paper the stirring verses “Old Ironsides” and sent them to the Boston Daily Advertiser, from which they were copied in all the papers of the country. The frigate was converted into a schoolship, and Oliver Wendell Holmes became known as a poet.

On every public occasion which could be enlivened or dignified by a special poem, Dr. Holmes was called upon. Such a position is a trying one and one to which only men with a sense of humor are often called. The doctor rarely refused to respond; so that nearly one-half of his verse is of this occasional character. Much of his verse is in lighter vein, but of the serious, surest in their hold

upon his readers are “The Last Leaf” and “The Chambered Nautilus.” But Holmes, while he had a genuine gift of song, was no persistent singer like Longfellow or Whittier, and so he reached almost the age of fifty without feeling that the reading public had any special interest in him. Then in 1857, when the Atlantic Monthly was established, and Lowell took the editorship only on condition that Holmes would be a contributor, he wrote the "Autocrat of the Breakfast Table.” In this role of talker, comfortable, brilliant, and witty, Holmes made friends wherever the Autocrat was read.

Holmes's intellect remained bright and he continued an active worker into extreme old age. In 1890 he published his last volume, “Over the Teacups.” As one by one this brilliant company of New England writers left the world, Holmes sang to each a fare

When his own time came he was really “The Last Leaf upon the Tree.” The end came peacefully as he was talking to his son, October 7, 1894.

well song.

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