feathered birds from Grosvenor Square to keep to your own grounds. I am Sergeant Smiffins of the police, and you must both come with me on charge of an assault-give your names or not, as you like. Many anonymous gentlemen step up and down the mill, and enjoy teazing oakum in the house of correction for two months, for far less than this."

"All in the newspapers to-morrow, gub'nor," said Earl Maudlin, who evidently enjoyed the confusion and despair of his companion.

"Do any of you know this man," inquired Sergeant Smiffins, who seemed to enter into the fun of the scene himself.

"For any sake," whispered the prisoner, taking his captor aside; "don't push this any farther. I am his lordship's tutor. I dined with his lordship at the Clarendon. I accompanied his lordship here with no evil intention."

"But only because you can't get manliness into your heart to say no to a lord," replied the sergeant. "I've met with many fellows like you before, and think you far worse than any of the thieves and pickpockets my duty brings me acquainted with. Has anybody lost a handkerchief, or a watch ?" he cried aloud. "This man must be detained, and I will take him on suspicion if any of you have missed anything. I can't let him go without ascertaining his

name."

"I can tell you his name," I said; and a circle was made round me. "He is the Reverend Mr Vatican Scowl, a wolf in sheep's clothing, and I have every reason to believe a Jesuit in disguise."

"All up, gub'nor!" chuckled Lord Maudlin."The Times will have you at full length; and what will the bishop say-not to mention the pope?" Mr Scowl sank in despairing silence, and seemed little moved with the hisses of the assembly. "But where is the gentleman who planted that one - two?" inquired Lord Maudlin. His antagonist stept forward. "I am sorry," continued his lordship, "that the difference of our position can't allow me to settle this matter as I should like. But as I should infallibly have apologised to

you after receiving your fire, I don't see why I shouldn't do so now after feeling your bunch of fives. I beg to tell you, I am very sorry for what has occurred, and feel that I behaved like an ass."

"Do you give his lordship in charge after this?" inquired the sergeant.

"Not I," said his antagonist; "he only tried to take my partner from me. I bear no malice, and am sorry I put so much force into the blow I gave. A China vase is soon cracked, and I regret very much I didn't hit him a gentler tap."

"In that case I have nothing more to say," answered the sergeant, letting his prisoner go; "and the ball had better proceed." I therefore hurried back to my place in the orchestra, but not before I had whispered in Mr Scowl's ear, in a voice borrowed from Fitz-Edward, with a tap on the breast borrowed from Edmund Kean,―

"Raro antecedentem scelestum Deseruit pede Pœna claudo." "Remember your examination of Puddlecombe - Regis school!" Mr Scowl, I am happy to say, appeared at full length in the newspapers, and lost the patronage of the Marquis of Missletoe. Catsbach applauded my conduct very much, and offered me fifteen shillings as my share of the orchestral profits, which I need not say I declined; and having refused all his solicitations to accompany him to his musical engagements, sometimes at public assemblages, and sometimes at dances and quadrilles in private houses, I braced myself for the decisive event, and on the morning of Thursday set off with solemn steps and slow, towards the Stepney Star. I determined not to enter the theatre till the play was fairly begun, and I anticipated the rapture with which an author hears his own words delivered by intelligent actors to a delighted audience. On arriving at the little passage which led through a house in the long row of buildings, shops, offices, store-rooms, and humble private dwellings that constitute a main street in the district, I was surprised to see none of the lower potentates of the stage lounging on the step, and looking on the passengers

in a heroic and presumptuous manner, as if to persuade them that they were Coriolanuses or Brutuses. There was not even the dirty-faced little errand boy, who on previous occasions used to spy me from the end of the row, and prepare his expectant hand for the half-crown as he opened the swinging door. People passed and repassed, on business thoughts intent, as if that entrance conducted to a warehouse, and were not the gates that opened into a newer and nobler world. O blind pursuers of mammon! I thought, are you aware that within thirty feet of where you are bustling and struggling about bills of lading, and the prices of chicoried coffee, there is a scene at this moment going on that would rivet your souls to higher and purer thoughts? Know you not that the heroic Hengist is developing his grandeur and generosity,-Horsa, the fiery courage that made the Saxons triumphant in this land,-and over all an atmosphere of love and poetry, breathed from the impassioned bosom of Editha the British maid, that would elevate and refine the soul of a ship-agent or bill-broker, if he once placed himself within their influence? How can you be so absurd, I continued, getting angry at the evident ignorance of the busy crowd that there was a rehearsal of a new play going on so near them? How can you be so disgustingly dull, you miserable pork butcher, as to deny yourself such gratification? Insane grocer delirious coal-merchant cowardly lawyer's clerk! But the loss is yours, I went on, tossing my head, after mentally addressing the people I met, affixing trades and occupation to them according to their respective looks the loss is yours, not mine. Here I have touched the haven's mouth, and beyond it is romance, beauty, happiness, fame! By this time I had reached the door, and was rather surprised to see it shut,-a vast red expanse of wood, with the name of the theatre conspicuously painted on it in white letters. "Every individual about the building," I thought, "so intent on the proceedings on the stage, that they have closed the entrance, to enjoy them without interruption." I felt in my

pocket for five shillings to reward the errand boy's good sense, instead of the usual half-crown, and knocked gently with my cane. There was no answer, and I increased the vigour of my application. "They must be terribly interested in Hengist," I thought, and waited with patience, till I concluded they must have finished the first act. I turned about with the intention of knocking again in a more authoritative manner, when a man with a long stick in his hand, and a tin case hung round his neck, stopt at the door. He unfolded an immense bill in green and blue letters, and was proceeding to paste it up over the very name of the Stepney Star.

"What are you doing there?" I said "Mr Montalban will give you in charge of the police. You mustn't stick your disgusting rubbish here."

"P'raps you'll let me paste it over your tatae trap," said the man, going on brushing his paste over the door. "A very fine advertising post you would make; and folks would think you was one of 'em yourself."

"One of whom?" I inquired, getting wroth at the man's impertinence.

"Why, one of the chickens," he said. "It only needs your nose to be a little sharper to make you pass for a prize bantam." Before I had time to make any retort either with stick or tongue, the man completed his work, and on the enormous expanse of paper I read "Incubitorium ! Chickens hatched here by artificial heat. Admittance twopence. Parties are requested to bring their own eggs."

"There!" he said, "ain't that a finer name than the Stepney Star. Incubitorium! It fills a bill well, and will be a far better concern than the last."

"Does Mr Montalban know of

and p'raps they wouldn't do their duty to-night."

So saying, the man passed on to ornament the neighbouring walls with the announcements of the Incubitorium. The passengers must have thought me mad, so continued and powerful were my kicks upon the unopening door. I paused for breath -tried to laugh myself out of the belief that the whole proceeding wasn't a ludicrous mistake; and just as I was going at it again with fresh vigour, a hand was laid on my arm.

"Are you going to crack the eggs before they're hatched?" said Miss Claribel." They'll take you up for a housebreaker, if you're not quiet."

"For heaven's sake," I said, "tell me what is all this?"

"It is that you are swindled by Mr Montalban; and if you have only lost the money you advanced, you may hold yourself very fortunate."

"But he is to give me a hundred pounds," I said.

"You've accepted a bill?"
"I have."

"I thought so. Do you see that man with the fishy kind of eyes, the large nose beginning in the middle of his forehead, and the white hat perched on one side of his head?"

"Yes; I see him. A blackguard Jew-looking fellow he is."

"He has been taking note of you for some time, that he may know you when the bill is due. He is a bailiff, and, I believe, brother-in-law of Mr Montalban."

"But I have not had a farthing; how can they ask me to pay it?"

"O, that makes no difference. I hear a great deal of talk on these subjects, and I fear you will have to advance the full amount. When was it due?"

"In two months. The amount a hundred and fifty pounds."

"We must make the money," "she said, "before that time. We must make our debût in Hamlet. Now I am free from the Stepney Star, I feel

you any friend who could get us an engagement in some country theatre, for our first appearance? I want nothing more than an opportunity of showing what I can do."

"Ha!" I said; "yes. I have a friend a German. His name is Catsbach. I know he can do what we require. Long before the two months are over we shall both be rolling in wealth; and who knows, after all, if this disappointment may not turn out the best piece of good fortune that could have befallen us?"

Full of brighter anticipations than ever, I went up stairs that evening to consult with Mr Tooks. He entered most warmly into the scheme; undertook to get us permission to give a taste of our quality at a theatre a few miles from town, to act as leader of the band; and, in short, was the very best man I could have applied to on the subject. In return, however, he insisted on my accompanying him to his musical engagements, where he felt sure my flute would be as popular as it had proved on the last occasion. He added, also, that he could not allow me to be so useful without being paid; and, in short, I saw the good fellow's design was to be useful to me, at the same time that he put it entirely on the awkward position it put him into if I declined all compensation. I told him he might arrange about that entirely as he pleased, and we shook hands half-a-dozen times in satisfaction of the new agreement.

"Consider, my dear fellow," he said, as he made me my fourth tumbler, "consider what respectability it brings to the profession that we have the heir of the De Bohuns first flute in the orchestra. I feel as the tailors must have felt when the King of Prussia and Alexander of Russia used to cut out the soldiers' jackets. It isn't the profession that makes the gentleman, it's the gentleman that makes the profession."

THERE must, after all, be some occult but irresistible charm in the leading idea of old Goethe's Faust. We say this, not on account of the numerous translations of that poem which have appeared in our languagethough the names of Shelley, Gower, Anstey, Hayward, Blackie, Syme, and perhaps two dozen more, testify that it has been selected by a large section of German scholars, as a master-piece every way worthy of being converted into our native tongue-but from the numerous efforts which have been made to produce imitations of it. From Byron to Festus Bailey-a sad declension, we admit-poets and poetasters have thought it their privilege to make free with the Satanic character, and to introduce the author of evil, or at least one of his subordinate imps, in the capacity of a tempter. Leaving Byron altogether out of the question, we must say that most of the imitators of Goethe have represented their fiends as taking a great deal of unnecessary trouble. In perusing their grand dramatic efforts, the question ever and anon occurs to us, what temptation the tempter could have in besetting such pitiable milksops and nincompoops as the gentlemen who are selected for seduction? Astaroth may assault Saint Anthony, Apollyon wrestle with Bunyan, or Sathanas disturb Martin Luther at his meditations with perfect propriety-there is at least some measure of equality between the two contending parties. But why Lucifer, fallen angel though he be, should stoop so low as to attach himself personally to a hazy maunderer like Festus, when he might be doing an infinite deal of more effectual mischief elsewhere, entirely baffles onr comprehension. We had given him credit for a keener sense of his own dignity and position. However, as Mr Bailey is no doubt an inspired poet, we must suppose that he knows best; though certainly, Lucifer, in his hands, is anything but a Morning Star.

It is rather remarkable that the majority of the poets who make free with Satan, or rather with Lucifer

for they affect the more dazzling and less murky name-restrict his apparition and familiar intercourse with their heroes to the Middle Ages. Their poems exhibit a sprinkling of alchemists, minnesingers, and crusaders, which abundantly mark out the period; and they seem to think that, by throwing back the epoch of the infernal visitation, they increase the elements of credulity, and establish a certain fitness of relation between Diabolus and his proposed victim. In this they commit a gross mistake. The fiend of the Middle Ages was not, as they represent him, a mere metaphysical atheist―a tiresome arguer on abstract principles, who could do little else than reproduce the most pernicious doctrines of a depraved scholastic philosophy for the recreation of his particular pupil. He was, on the contrary, a fellow of infinite fancy. Rely upon it, Saint Dunstan took him by the nose for something else than a mere foreshadowing of the opinions of Kant or Hegel. He did not visit Saint Anthony to pester him with perplexing questions. His allurements were of the flesh, fleshly; and, if monkish legends say true, they were oftentimes difficult to resist. He ensnared the avaricious through promises of gold, the sensual by pandering to their lusts, the ambitious by false pretences of worldly preeminence and honour. But everything was based on delusion. None of the Devil's gifts turned out worth the having; and Johann Faust himself in his conjuring-book, which still exists, and which we have seen, has borne sad testimony to the juggling of the infernal agents. As to the gifts of knowledge which the tempter could convey, these were limited to such feats of hocus-pocus as Hermann Boaz or the Wizard of the North could rival. To bring wine out of a wooden table-to change a truss of straw into a steed-or to produce the phantasm of a deer-hunt in a banqueting hall-were the masterpieces of demoniacal lore: and, paltry as they were, it must be confessed that, if any gentleman was willing to subscribe

a scroll with his blood, such acquirements were a more likely bribe than the privilege of conversing with an imp as stupid as any lecturer on modern German rationalism. Therefore, in selecting the Middle Ages for their time, our poetasters have greatly erred. Lucifer, as they portray him, might possibly have cut a figure in a mechanics' institute-he is sadly out of place in the part and period which they have assigned him. In our deliberate opinion, they had better have let the Devil alone.

We repeat it-they had better let Lucifer alone. It is dangerous meddling with edge-tools. Temptations enough beset even the best of us, without the realisation of the actual corporeality of the tempter.

Most

hideously alarmed, we doubt not, would Mr Bailey be, if his poetical imaginations became practical realities, and Lucifer were to enter his study some time about midnight, when every other light in the house was extinguished, in the garb of a travelling scholasticus! If not more loftily elevated than the second story, he would bolt through the window like an arrow. We mean no reflection upon his personal valour; under such circumstances we should do the same, and consider it to be our bounden duty, even though a whole legion of cats were serenading beneath. But we have this safeguard against such visits, that we never represented ourselves as intimate with the opinions of Abaddon. Mr Bailey, on the contrary, knows all about him-nay, has no doubt whatever as to his ultimate felicitous destination. He is several universes beyond Milton. He foresees restoration to the whole powers of evil; and having thus, in his philosophy, kindly reinstated the fallen angels, of course those who have fallen by their agency become at once immaculate. But the subject is too grave to be pursued in a light strain. Great allowance is always to be made for poetic license; but there is a bound to everything; and we are compelled to record our deliberate opinion, that nowhere, in literature, can we find passages more hideously and revoltingly presumptuous than occur in the concluding pages of the Festus of Mr Bailey.

he

We have not now to deal with Mr Bailey. The author before us, Professor Longfellow, is infinitely his superior in poetical accomplishment, in genius, in learning, and in delicacy of sentiment. It was, we think, very well remarked by a former critic in this Magazine, that has studied foreign literature with somewhat too much profit." We adopt that observation as rather addressed to the form or shape of his compositions, than to the intrinsic value of his thoughts, or to their expression. For, in perfect candour, we must own that, in our opinion, Longfellow at this moment stands, beyond comparison, at the head of the poets of America, and may be considered as an equal competitor for the palm with any one of the younger poets of Great Britain. We cannot pass a higher eulogy; and it is not the less impartial, because in this his latest poem, The Golden Legend, he has laid himself open to censure, not only on the ground of palpable imitation of design, from the model of Goethe, but in other respects more nearly and more seriously affecting his ultimate reputation as a creative poet.

We have no hesitation in expressing our opinion that there is nearly as much fine poetry in Mr Longfellow's Golden Legend as in the celebrated drama of Goethe. In the latter there are, unquestionably, isolated scenes of singular power and magnificence. The opening song of the angels is, in point of diction, a grand effort of genius; and the wonderful conception of the "Walpurgis-Nacht on the Brocken," with all its weird and fantastic accessories, has been, and will be, cited by the admirers of the German poet as a proof of the vastness of his imagination, and of his consummate dexterity as an artist. To these, as specimens of first-class poetry, we may add the lyrical passages which are put into the mouth of Gretchen; but, granting all this, much matter still remains of inferior merit. The scenes in the witch's apartment, and in Auerbach's cellar-the conversations of Wagner, and even some of the more recondite dialogue between Faust and Mephistopheles are