Life-show; how to See Theater in Life and Life in Theater |
From inside the book
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Page 11
... dream landscape of Waiting for Godot establishes the reasons why people play games and develop routines . The success of these images depends on many things : the performer , the subject matter , the total environment of the play ...
... dream landscape of Waiting for Godot establishes the reasons why people play games and develop routines . The success of these images depends on many things : the performer , the subject matter , the total environment of the play ...
Page 82
... dreams of the power that one man , making his mind clear , could have . Existentialist and bitter as he is , Orestes is a dream of a playwright created for fellow prisoners in the German concentration camp - a fine con- ception - he ...
... dreams of the power that one man , making his mind clear , could have . Existentialist and bitter as he is , Orestes is a dream of a playwright created for fellow prisoners in the German concentration camp - a fine con- ception - he ...
Page 191
... dream . With innate skill , often without educa- tion ( but with a few good breaks ) -a performer through baseball can have " all the good things in life " : money , Lajoie says " I drink Coca Cola regularly and have been doing so for ...
... dream . With innate skill , often without educa- tion ( but with a few good breaks ) -a performer through baseball can have " all the good things in life " : money , Lajoie says " I drink Coca Cola regularly and have been doing so for ...
Other editions - View all
Life-show: How to See Theater in Life and Life in Theater John Lahr,Jonathan Price Snippet view - 1989 |
Life-show; how to See Theater in Life and Life in Theater John Lahr,Jonathan Price Snippet view - 1973 |
Common terms and phrases
action actor Aeschylus Arthur Kopit audience baseball battle becomes Bert Lahr Bettmann Archive BOATSWAIN body Brecht BUFFALO BILL Carl Kravats changes character clothes clowns contrast costume courtiers created culture dramatic dream dress Emily Post emotional experience express Falstaff fantasy feel festival fiesta formance gesture give gnong GONZALO human idea imagination impersonation impulse individual invisible John Veltri JOURDAIN kill kind King language life-performer lives look Macbeth Marx Brothers masks means Metropolitan Museum military mind Molière move Museum of Art Nixon objects Octavio Paz ourselves person physical play players playwright plot properties protean performance public performance public scenes re-creates ritual role sacred sense Shakespeare signs social society spectacle spectator spirit stage performance style suggests symbolic talk technological television theater theatrical things tion TORTURER turn United Press International visible Waiting for Godot words Zarro ZEUS