Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 75Gale Research Company, 1984 - 409 pages |
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Page 110
... performance sorely needs more variety . Nor does Mr. Roache's Aufidius , the soldier who is both Coriolanus's spiritual brother and his nemesis , provide the necessary electric machismo . Like his Bolingbroke , his Aufidius comes across ...
... performance sorely needs more variety . Nor does Mr. Roache's Aufidius , the soldier who is both Coriolanus's spiritual brother and his nemesis , provide the necessary electric machismo . Like his Bolingbroke , his Aufidius comes across ...
Page 177
... performances vastly enhanced at moments of great emotion by a friendly violin or two ( some years ago there was a pretty English starlet named Patricia Roc who received great praise for an emotional performance of watching her lover's ...
... performances vastly enhanced at moments of great emotion by a friendly violin or two ( some years ago there was a pretty English starlet named Patricia Roc who received great praise for an emotional performance of watching her lover's ...
Page 235
... performance I described earlier , and using it to caution against reading women's song only as a sign of women's marginalization . In performance , the very strategies that work to contain and displace Lady Mortimer's singing voice ...
... performance I described earlier , and using it to caution against reading women's song only as a sign of women's marginalization . In performance , the very strategies that work to contain and displace Lady Mortimer's singing voice ...
Contents
Cumulative Character Index | 351 |
Cumulative Topic Index | 363 |
Cumulative Topic Index by Play | 387 |
Copyright | |
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action All's appears audience beauty becomes begins Bertram body bring called character comedy contrast Coriolanus Countess court critics dark death desire early effect Elizabethan England English essay example expression eyes fact feelings figure final force gives harmony hear heart Helena human important Italy James Jessica kind King King's Lady language lines live London Lord Lorenzo means Measure mother nature never once opening Parolles performance person play play's plot poems poet poetic poetry political praise present Press problem Prospero provides question reading reference Renaissance represent response Richard says scene seems sense Shake Shakespeare sing social song sonnets sound speak speaker speech stage structure Studies suggests sweet Tempest theme thing thou thought tion traditional true truth turn University voice York young