Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 75Gale Research Company, 1984 - 409 pages |
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Page 73
... sense is , for example , the subject of the chapter of Augustine's Confessions that links the com- mand in Genesis to the interpreter's opening of a scriptural text , a link also forged in the early modern tradition of verbal copia as ...
... sense is , for example , the subject of the chapter of Augustine's Confessions that links the com- mand in Genesis to the interpreter's opening of a scriptural text , a link also forged in the early modern tradition of verbal copia as ...
Page 74
... sense of death and a " farewell " that appears at first to the countess and to Helena as death's equivalent , an ending beyond which there is " no living , none . " But in the case of Helena , who will be the prime generator of the plot ...
... sense of death and a " farewell " that appears at first to the countess and to Helena as death's equivalent , an ending beyond which there is " no living , none . " But in the case of Helena , who will be the prime generator of the plot ...
Page 189
... sense - not even good grammar . If you ask what does it all mean , the reply must be that it means just what its utterer feels . The chaos of its thought is a reflection of her mind , in which one can vaguely discern a wild illusion ...
... sense - not even good grammar . If you ask what does it all mean , the reply must be that it means just what its utterer feels . The chaos of its thought is a reflection of her mind , in which one can vaguely discern a wild illusion ...
Contents
Cumulative Character Index | 351 |
Cumulative Topic Index | 363 |
Cumulative Topic Index by Play | 387 |
Copyright | |
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Common terms and phrases
action All's appears audience beauty becomes begins Bertram body bring called character comedy contrast Coriolanus Countess court critics dark death desire early effect Elizabethan England English essay example expression eyes fact feelings figure final force gives harmony hear heart Helena human important Italy James Jessica kind King King's Lady language lines live London Lord Lorenzo means Measure mother nature never once opening Parolles performance person play play's plot poems poet poetic poetry political praise present Press problem Prospero provides question reading reference Renaissance represent response Richard says scene seems sense Shake Shakespeare sing social song sonnets sound speak speaker speech stage structure Studies suggests sweet Tempest theme thing thou thought tion traditional true truth turn University voice York young