New Monthly Magazine, and Universal Register, Volume 45Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Theodore Edward Hook, Thomas Hood, William Ainsworth, William Harrison Ainsworth Henry Colburn, 1835 |
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Page 5
... admiration to subside , he whipped his knife from its sheath , and had out a dozen strips from the chine ( as Job expressed it in Vermontese ) " in no time . " With the same alacrity these were cut into bits " of the size of a piece of ...
... admiration to subside , he whipped his knife from its sheath , and had out a dozen strips from the chine ( as Job expressed it in Vermontese ) " in no time . " With the same alacrity these were cut into bits " of the size of a piece of ...
Page 16
... admirable acumen ; but not even Plutarch himself ever reconciled us to parallels . Opposition is the essence of genius - he were no great poet who resembled a predecessor . There is , however , one distinction . too true to be past over ...
... admirable acumen ; but not even Plutarch himself ever reconciled us to parallels . Opposition is the essence of genius - he were no great poet who resembled a predecessor . There is , however , one distinction . too true to be past over ...
Page 18
... admirable hands at an almost . Such knowledge as theirs supersedes the necessity of watchfulness , and they consequently fall fast asleep just as they arrive in the vicinity of a sand - bank . The greater the trust in our guide , the ...
... admirable hands at an almost . Such knowledge as theirs supersedes the necessity of watchfulness , and they consequently fall fast asleep just as they arrive in the vicinity of a sand - bank . The greater the trust in our guide , the ...
Page 48
... admiration is in proportion to the admiration with which the works of the highest genius have inspired us , to the delight we have received from their habitual contemplation , and to our participation in the general enthusiasm with ...
... admiration is in proportion to the admiration with which the works of the highest genius have inspired us , to the delight we have received from their habitual contemplation , and to our participation in the general enthusiasm with ...
Page 49
... admirable skill , they could only poorly imitate the spirit of the more illustrious nation . It is with eloquent and characteristic truth that Mr. Walter Savage Landor accuses them of having always glared over their thin and • We have ...
... admirable skill , they could only poorly imitate the spirit of the more illustrious nation . It is with eloquent and characteristic truth that Mr. Walter Savage Landor accuses them of having always glared over their thin and • We have ...
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admirable Algerine Algiers appearance Arab beautiful believe better Bill Burnett called Captain cent character colour corn-laws Czartoryski daugh daughter dear duty Elliston England English exclaimed eyes favour feeling feet France French gentleman give Grace Gray green hand head heart Hobbleday honour hope human interest Ireland Janissaries Jews John Kabyles lady land late Little-Pedlington Liverpool living London look Lord Lord Byron Maimuna manner marriage Mathews matter miles mind Moorish Moscow nature never night noble observed once opinion Orange Lodges passed persons poet poetry Poland poor present Princess racter reader replied Russian scarcely scene seemed seen Serjeant Talfourd Shakspeare Sonnet Spain spirit Staffordshire sure Tatars tell theatre thing thou thought tion town uncle whole woman word young Zumalacarregui
Popular passages
Page 47 - Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
Page 58 - No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world, with vilest worms to dwell: Nay, if you read this line, remember not The hand that writ it; for I love you so, That I in your sweet thoughts would be forgot, If thinking on me then should make you woe.
Page 69 - Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom.
Page 67 - To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride, Three beauteous springs to yellow autumn turn'd In process of the seasons have I seen, Three April perfumes in three hot Junes burn'd, Since first I saw you fresh, which yet are green. Ah ! yet...
Page 51 - And summer's lease hath all too short a date ; Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd ; And every fair from fair sometime declines, By chance or nature's changing course untrimm'd. But thy eternal summer shall not fade Nor lose possession of that fair thou owest ; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest.
Page 67 - A WOMAN'S face with Nature's own hand painted Hast thou, the master-mistress of my passion; A woman's gentle heart, but not acquainted With shifting change, as is false women's fashion; An eye more bright than theirs, less false in rolling, Gilding the object whereupon it gazeth; A man in hue all hues in his controlling, Which steals men's eyes and women's souls amazeth.
Page 65 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Page 55 - Tired with all these, for restful death I cry — As, to behold desert a beggar born, And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplaced, And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced, And strength by limping sway disabled, And art made tongue-tied by authority...
Page 60 - Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising. Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember' d such wealth brings That then I scorn to change my state with kings.
Page 53 - ... an inward prompting which now grew daily upon me, that by labour and intense study (which I take to be my portion in this life), joined with the strong propensity of nature, I might perhaps leave something so written to after times as they should not willingly let it die.