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ly non-political and non-sectarian," and, like it, has been the object of much suspicion, because severance from politics in Ireland has always seemed to the politician the most active form of enmity. Its constitution, too, is somewhat similar, being democratically guided in its policy by the elected representatives of its affiliated branches. It is interesting to note that the funds with which it carries on an extensive propaganda are mainly supplied from the small contributions of the poor. It publishes two periodicals, one weekly and another monthly. It administers an income of some £6,000 a year, not reckoning what is spent by local branches, and has a paid staff of eleven officers, a secretary, treasurer, and nine organizers, together with a large number of voluntary workers. It resembled the agricultural movement also in the fact that it made very little headway during the first few years of its existence. But it had a nucleus of workers with new ideas for the intellectual regeneration of Ireland. In face of much apathy they persisted with their propaganda, and they have at last succeeded in making their ideas understood. So much is evident from the rapidly increasing number of affiliated branches of the League, which in March, 1903, amounted to 600, almost treble the number registered two years before. But even this does not convey any idea of the influence which the movement exerts. Within the past year the teaching of the Irish language has been introduced into no less than 1,300 National Schools. In 1900 the number of schools in which Irish was taught was only about 140. The statement that our people do not read books is generally accepted as true, yet the sale of the League publications during one year reached nearly a quarter of a million copies. These results cannot be left unconsidered by anybody who wishes to understand the psychology of the Irish mind. The movement can truly claim to have effected the conversion of a large amount of intellectual apathy into genuine intellectual activity.

The declared objects of the League-the popularizing of the national language and literature-do not convey, perhaps, an adequate conception of its actual work, or of the causes of its popularity. It seeks to develop the intellectual, moral, and social life of the Irish people from

within, and it is doing excellent work in the cause of temperance. Its president, Dr. Douglas Hyde, in his evidence given before the University Commission, pointed out that the success of the League was due to its meeting the people half way; that it educated them by giving them something which they could appreciate and assimilate; and that it afforded a proof that people who would not respond to alien educational systems, will respond with eagerness to something they can call their own. The national factor in Ireland has been studiously eliminated from national education, and Ireland is perhaps the only country in Europe where it was part of the settled policy of those who had the guidance of education to ignore the literature, history, arts, and traditions of the people. It was a fatal policy, for it obviously tended to stamp their native country in the eyes of Irishmen with the badge of inferiority and to extinguish the sense of healthy self-respect which comes from the consciousness of high national ancestry and traditions. This policy, rigidly adhered to for many years, almost extinguished native culture among Irishmen, but it did not succeed in making another form of culture acceptable to them. It dulled the intelligence of the people, impaired their interest in their own surroundings, stimulated emigration by teaching them to look on other countries as more agreeable places to live in, and made Ireland almost a social desert. Men and women without culture or knowledge of literature or of music have succeeded a former generation who were passionately interested in these things, an interest which extended down even to the wayside cabin. The loss of these elevating influences in Irish society probably accounts for much of the arid nature of Irish controversies, while the reaction against their suppression has given rise to those displays of rhetorical patriotism for which the Irish language has found the expressive term raimeis, and which (thanks largely to the Gaelic movement) most people now listen to with a painful and half-ashamed sense of their unreality.

The Gaelic movement has brought to the surface sentiments and thoughts which had been developed in Gaelic Ireland through hundreds of years, and which no repression had been able to obliterate altogether, but which still

remained as a latent spiritual inheritance in the mind. And now this stream, which has long run underground, has again emerged even stronger than before, because an element of national self-consciousness has been added at its re-emergence. A passionate conviction is gaining ground that if Irish traditions, literature, language, art, music, and culture are allowed to disappear, it will mean the disappearance of the race; and that the education of the country must be nationalized if our social, intellectual, or even our economic position is to be permanently improved.

With this view of the Gaelic movement my own thoughts are in complete accord. It is undeniable that the pride in country justly felt by Englishmen, a pride developed by education and a knowledge of their history, has had much to do with the industrial pre-eminence of England; for the pioneers of its commerce have been often actuated as much by patriotic motives as by the desire for gain. The education of the Irish people has ignored the need for any such historical basis for pride or love of country, and, for my part, I feel sure that the Gaelic League is acting wisely in seeking to arouse such a sentiment, and to found it mainly upon the ages of Ireland's story when Ireland was most Irish.

It is this expansion of the sentiment of nationality outside the domain of party politics-the distinction, so to speak, between nationality and nationalism-which is the chief characteristic of the Gaelic movement. Nationality had come to have no meaning other than a political one, any broader national sentiment having had little or nothing to feed upon. During the last century the spirit of nationality has found no unworthy expression in literature, in the writings of Ferguson, Standish O'Grady, and Yeats, which, however, have not been even remotely comparable in popularity with the political journalism in prose and rhyme in which the age has been so fruitful. It has never expressed itself in the arts, and not only has Ireland no representative names in the higer regions of art, but the national deficiency has been felt in every department of industry into which design enters, and where national art-characteristics have a commercial value. The national customs, culture, and recreations which made

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