Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Volume 1 |
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Page 221
... expression , in which praise if he still fell fhort of his mafter , the fault was not in him , but the intractability of his language . And in this view Cæfar's addrefs carries with it the highest compliment . Quinctilian had faid in re ...
... expression , in which praise if he still fell fhort of his mafter , the fault was not in him , but the intractability of his language . And in this view Cæfar's addrefs carries with it the highest compliment . Quinctilian had faid in re ...
Page 260
... expression of the manners , will deferve to be fo reputed at all times , and on every theatre . The danger is , left a ftudied , declamatory moral , affectedly introduced , or in- dulged to excefs , fhould prejudice the natural ...
... expression of the manners , will deferve to be fo reputed at all times , and on every theatre . The danger is , left a ftudied , declamatory moral , affectedly introduced , or in- dulged to excefs , fhould prejudice the natural ...
Page 262
... expressing the thoughts properly , gracefully , and harmoniously : the pondus is the force and energy of good verfifica- tion . Venus is a general term including both kinds of beauty . Fabula does not mean the fable ( in diftinction ...
... expressing the thoughts properly , gracefully , and harmoniously : the pondus is the force and energy of good verfifica- tion . Venus is a general term including both kinds of beauty . Fabula does not mean the fable ( in diftinction ...
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againſt ancient arifing Atellane beauty becauſe befides beſt cafe caft cauſe cenfure character chorus Cicero comedy COMMENTARY compofition confiftent courſe critic Dacier defign Diomedes drama Ennius epiftle eſpecially etiam Euripides expreffion exprefs facundia faid fame fatire fatyrs fays fcenes feems feen fenfe fentiments ferve feveral fhew fhewn fhould firft firſt fome fometimes fpeaks fpecies ftage ftate ftill fubject fuch fufficient fuppofe fure genius Greek hath himſelf Hippolytus Horace inftance inftruction itſelf juft juſt laft language leaſt lefs manner meaſure Medea Menander ment moft moral moſt mufic muft muſt nature neceffary numbers obferved occafion old comedy orichalco paffage paffion Peleus perfons philofopher Plautus pleaſure poem poet poet's poetry purpoſe quæ quid Quinctilian racter reader reafon refpect Roman rule ſeems ſenſe Shakeſpeare Sophocles ſpeaking ſpirit ſtage ſuch taſte Telephus thefe themſelves theſe thing thofe thoſe tibia tragedy tragic underſtood uſe words writers καὶ