Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Volume 1 |
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Page 2
... rules for tragedy ; not only as that was the fublimer fpecies of the Drama , but , as it fhould feem , lefs cultivated and understood . III . The lait part [ from 1. - 295 , to the end ] , exhorts to correctness in writing ; yet ftill ...
... rules for tragedy ; not only as that was the fublimer fpecies of the Drama , but , as it fhould feem , lefs cultivated and understood . III . The lait part [ from 1. - 295 , to the end ] , exhorts to correctness in writing ; yet ftill ...
Page 3
... ] come to tranfgrefs the rule of right from their very ambition to obferve it . There are two cafes , in which this ambition remarkably misleads us . The В 2 firft Decipimur fpecie recti . Brevis effe laboro , 25 Obfcurus ÁRS POETICA .
... ] come to tranfgrefs the rule of right from their very ambition to obferve it . There are two cafes , in which this ambition remarkably misleads us . The В 2 firft Decipimur fpecie recti . Brevis effe laboro , 25 Obfcurus ÁRS POETICA .
Page 6
... fubjoined fome directions about the use of words . Now this particular depend- ing fo entirely on what is out of the reach of rule , as 7 To the Continget : dabiturque licentia fumta pudenter . Et nova factaque 6 Q. HORATII FLACCI.
... fubjoined fome directions about the use of words . Now this particular depend- ing fo entirely on what is out of the reach of rule , as 7 To the Continget : dabiturque licentia fumta pudenter . Et nova factaque 6 Q. HORATII FLACCI.
Page 10
... rules , interfpersed with historical accounts , and enlivened by digreffions , for the regulation and im , provement of the ROMAN STAGE . PART II . I DIRECTIONS FOR THE REGULATION AND IMPROVE- MENT OF THE ROMAN STAGE . HAVING fixed the ...
... rules , interfpersed with historical accounts , and enlivened by digreffions , for the regulation and im , provement of the ROMAN STAGE . PART II . I DIRECTIONS FOR THE REGULATION AND IMPROVE- MENT OF THE ROMAN STAGE . HAVING fixed the ...
Page 15
... of poetry , being difmiffed ; he now delivers fome rules more peculiarly relative to the cale of the drama . And , as the mifapplication of manners , which Colligit ac ponit temere , et mutatur in horas . ARS POETICA . 45.
... of poetry , being difmiffed ; he now delivers fome rules more peculiarly relative to the cale of the drama . And , as the mifapplication of manners , which Colligit ac ponit temere , et mutatur in horas . ARS POETICA . 45.
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Common terms and phrases
againſt ancient arifing Atellane beauty becauſe befides beſt cafe caft cauſe cenfure character chorus Cicero comedy COMMENTARY compofition confiftent courſe critic Dacier defign Diomedes drama Ennius epiftle eſpecially etiam Euripides expreffion exprefs facundia faid fame fatire fatyrs fays fcenes feems feen fenfe fentiments ferve feveral fhew fhewn fhould firft firſt fome fometimes fpeaks fpecies ftage ftate ftill fubject fuch fufficient fuppofe fure genius Greek hath himſelf Hippolytus Horace inftance inftruction itſelf juft juſt laft language leaſt lefs manner meaſure Medea Menander ment moft moral moſt mufic muft muſt nature neceffary numbers obferved occafion old comedy orichalco paffage paffion Peleus perfons philofopher Plautus pleaſure poem poet poet's poetry purpoſe quæ quid Quinctilian racter reader reafon refpect Roman rule ſeems ſenſe Shakeſpeare Sophocles ſpeaking ſpirit ſtage ſuch taſte Telephus thefe themſelves theſe thing thofe thoſe tibia tragedy tragic underſtood uſe words writers καὶ