 | Leslie Stephen - English essays - 1892 - 384 pages
...by the sight of his fellow-Utopian, whose mind has been driven into madness by an uncongenial world. Most wretched men Are cradled into poetry by wrong ; They learn in suffering what they teach in song. Some poets suffer under evils of a more tangible kind than those... | |
 | Percy Bysshe Shelley - 1892 - 500 pages
...as in measure were called poetry. And I remember one remark which then Maddalo made. He said — " Most wretched men Are cradled into poetry by wrong ; They learn in suffering what they teach in song." If I had been an unconnected man, I, from this moment, should have... | |
 | Edward Aloysius Pace, Thomas Edward Shields - Catholic schools - 1920 - 646 pages
...institutions of a country cause one suffering and disappointment. Shelley says in Julian and Maddalo : Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. A description of Shelley's radicalism then must take account of... | |
 | Jerome J. McGann - Literary Criticism - 1985 - 182 pages
...Romantic ideology. This is what Shelley's famous passage on the nature of Romantic experience means: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. ("Julian and Maddalo," 544-6) Shelley's presentation of the tensions... | |
 | Klaus Peter Müller - English - 1993 - 560 pages
...Rebellion schreibe, aber nichts tue. Brenton legt Byron Verse aus Shelleys Julian and Maddalo in den Mund: "Most wretched men/ Are cradled into poetry by wrong,/ They learn in suffering what they teach in song." Howard glaubt, Byron/Shelley sagen, daß Ungerechtigkeit und Inhumanität... | |
 | Percy Bysshe Shelley - Poetry - 1994 - 752 pages
...Such as in measure were called poetry; And 1 remember one remark which then Maddalo made. He said: 'Most wretched men Are cradled into poetry by wrong: They learn in suffering what they teach in song.' If I had been an unconnected man, I, from this moment, should have... | |
 | Warren Stevenson - Literary Criticism - 1996 - 166 pages
...only others would do likewise. Byron-Maddalo sees the madman as a sort of poet manqu6: [Maddalo] said: 'Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song.' (544-56) Julian-Shelley remarks upon the "deep tenderness" that... | |
 | Kay Redfield Jamison - Psychology - 1996 - 388 pages
...Such as in measure were called poetry; And I remember one remark which then Maddalo made. He said: "Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. "40 Keats agreed. "Do you not see how necessary a World of Pains... | |
 | Robert F. Gleckner, Robert Gleckner, Bernard G. Beatty - Literary Criticism - 1997 - 426 pages
...and Shelley's Count Maddalo (Byron) indicates the psychological aspect of it when he tells Julian: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. (Julian and Maddalo, 11. 544-46) For Byron, this myth is epitomized... | |
 | Archie Weller - Fiction - 1999 - 400 pages
...fire, Red Mond Star Light calls out for another song, for the youth seems enraptured by his poetry. 253 Most wretched men Are cradled into poetry by wrong; They learn in suffering what they teach in song, the old man begins in ominous tones. She is reminded of the better... | |
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Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. 
