 | Daniel Heartz - Music - 1995 - 844 pages
...tenor ends his recitative) will return in the Credo to clothe the most elemental Christian belief: "Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est." More impressively still, Haydn will revert to c and the thematic descent from El> to Bl; to clothe... | |
 | Gerhard Ruhbach, Ulrich Wilckens - Church year sermons - 1994 - 180 pages
...die wir Menschen - auch - sind, geht. Das weihnachtliche Herzstück des Glaubensbekenntnisses heißt: „Et incarnatus est de Spiritu sancto ex Maria virgine et homo factus est." In äußerster Verknappung wird das Geheimnis angedeutet, das uns Menschen zur Geschichte von Gott... | |
 | Franz Schubert - Music - 1995 - 368 pages
...per quem omnia facta sunt, qui propter nos homines et propter nostram salutem descendit de coelis. ET INCARNATUS est de Spiritu sancto ex Maria virgine,...passus et sepultus est. ET RESURREXIT tertia die, secundum scripturas, et ascendit in coelum, sedet ad dexteram Patris, et iterum venturus est cum gloria... | |
 | Girau Reverter, Jordi - Theological anthropology - 1995 - 336 pages
...niceno-constantinopolitano: -Qui propter nos homines et propter nostram salutem descendit de caelis. Et incarnatus est de Spiritu Sancto ex Maria Virgine, et homo factus est-.Sm embargo, en ese mismo lugar deja abierta una puerta a explicaciones más amplias 326 que, en... | |
 | Timothy J. McGee, A. G. Rigg, David N. Klausner - Language Arts & Disciplines - 1996 - 326 pages
...Per quern omnia facta sunt. Qui propter nos homines et propter nostram salutem descemlit de ca-lis: et incarnatus est de Spiritu Sancto ex Maria Virgine,...nobis sub Pontio Pilato passus et sepultus est. Et rcsurrexit tertia die secundam Scripturas et ascendit in ci ' Sedet ad dexteram Patris. et iterum venturus... | |
 | Theology - 1929 - 556 pages
[ Sorry, this page's content is restricted ] | |
 | Michael M. Saffle, Alan Walker - Music - 1997 - 362 pages
...the "Credo" and "Agnus Dei." The heart-rending "doloroso" section of the Credo, where the text runs "et homo factus est crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est" (mm. 113-170), is woven into a sequence employing semitone intervals of 2:4:4 derived from the Hungarian... | |
| |