 | Allan Cunningham - 1832 - 324 pages
...men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste — in grace —...richness and harmony of colouring, he was equal to the greatest masters of the renowned ages. In portrait he went beyond them ; for he communicated to that... | |
 | Allan Cunningham - Architects - 1830 - 402 pages
...praise of the elegant arts to the other glories of his country. In taste—in grace—in facility—in happy invention —and in the richness and harmony of colouring, he was equal to the greatest masters of the renowned ages. In portrait he went beyond them ; for he communicated to that... | |
 | George Crabbe - Poets, English - 1834 - 358 pages
...men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility,...he went beyond them ; for he communicated to that department of the art, in which English artists are the most engaged, a variety, a fancy, and a dignity,... | |
 | Edmund Burke - Great Britain - 1834 - 648 pages
...men of his time. He was the first Englishmen who added the praise of the elegant arts to the oilier greatest masters of the renowned ages. In portrait he went beyond them ; for he communicated to that... | |
 | Edmund Burke - Great Britain - 1834 - 744 pages
...men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility,...and in the richness and harmony of colouring, he was pqual to the great masters of the renowned ages. In portrait he went beyond them; for he communirated... | |
 | Edmund Burke - Great Britain - 1834 - 740 pages
...men of his time. He '• > the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility,...invention, and in the richness and harmony of colouring, he waa • V1"' I" the great masters of the renowned ages. In portrait he went beyond them; for he communiratid... | |
 | Edmund Burke - English literature - 1835 - 652 pages
...men of his time. He was the first Englishmen who added the praise of the elegant arts to the other apple to you ; and no force under heaven will be of power to tear them from their richuess and harmony of colouring, he was equal to the greatest masters of the renowned ages. In portrait... | |
 | Literature - 1836 - 332 pages
...of his time : — he was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility, in happy invention, and in the riclmess and harmony of colouring, he was equal to the great masters of the renowned ages. In portrait... | |
 | Edmund Burke - Great Britain - 1837 - 744 pages
...was the first Englishman who added the praise of the elegant arts to the other glories of his counhy. uch, of this restraint, department of the art in which English artists are the most engaged, a variety, a fancy, and a dignity... | |
 | Englishmen - 1837 - 530 pages
...time. He was the first Englishman who added the praise of the elegant arts to the other glories of hi? country. In taste — in grace — in facility —...richness and harmony of colouring, he was equal to the greatest masters of the renowned ages. In portrait he went beyond them; for he communicated to that... | |
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Sir Joshua Reynolds was, on very many accounts, one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility, in happy invention, and... 
