 | English poetry - 1851 - 496 pages
...Therefore, the poet Did feign that Orpheus drew trees, stones, and floods; Since nought so stockish, hard, and full of rage, But music for the time doth...affections dark as Erebus : Let no such man be trusted. THE PAVOUE OF PRINCES. FAREWELL, a long farewell, to all my greatness ! This is the state of man :... | |
 | Eleanor Margaret Geary - 1851 - 104 pages
...of the beauteous Queen of Scots, when it points to the name of David Eizzio ! ! " The man that hath no music in himself, Nor is not mov'd with concord...affections dark as Erebus ; Let no such man be trusted." SHAKESPEARE. The most remarkable record of music placed in a revolting form, is that of Nero, who is... | |
 | Luther Calvin Saxton - Poland - 1851 - 586 pages
...has never been excelled by any man, has correctly sung the same principle in the following poetry of nature : " The man that hath no music in himself Nor...dull as night, And his affections dark as Erebus." Music appears to be an elementary principle of the moral constitution of man, and prevails among all... | |
 | Leigh Hunt - English poetry - 1851 - 282 pages
...of rage, But music for the time doth change its nature. The man that hath no music in himself, JVor is not mov'd with concord of sweet sounds, Is fit...: Let no such man be trusted. — Mark the music. Enter PORTIA and NKRISSA, at a distance. Por. That light we see is burning in my hall ; How far that... | |
 | William Shakespeare - 1853 - 916 pages
...therefore, the poet Did feign that Orpheus drew trees, stones, and floods, Since nought so stockist], hittaker and co. [Music again. Enter PORTIA and NERISSA, at a distance. Por. That light we see is burning in my hall.... | |
 | William Shakespeare, John Payne Collier - 1853 - 440 pages
...patens (ie. plates). Did feign that Orpheus drew trees, stones, and floods, Since nought so stockish, hard, and full of rage, But music for the time doth...Erebus. Let no such man be trusted. — Mark the music. [Music again.1 Enter PORTIA' and NERISSA, at a distance. For. That light we see is burning in my hall.... | |
 | William Harrison Ainsworth - English periodicals - 1853 - 564 pages
...Therefore the poet Did feign, that Orpheus drew tears, stones, and floods ; Since nought so stockish, hard, and full of rage, But music for the time doth...: Let no such man be trusted. — Mark the music." With regard -to dancing, or choregraphy rather, in all its splendour of composition and its fairy-like... | |
 | William Shakespeare, John Payne Collier - 1853 - 1158 pages
...therefore, the poet Did feign that Orpheus drew trees, stones, and floods, Since nought so stockish, hard, and full of rage, But music for the time doth...his affections dark as Erebus. Let no such man be trusted.—Mark the music. [Music again? Enter PORTIA and NER ISSA, at a distance. Por. That light... | |
 | William Shakespeare - 1853 - 928 pages
...of rage, But music for the time doth change his nature. The man that hath no music in himself, N"r [Afusic again. Enter PORTIA and NERISSA, at a distance. Par. That light we see is burning in my hall.... | |
 | William Shakespeare - 1854 - 424 pages
...Therefore, the poet Did feign that Orpheus drew trees, stones, and floods; Since nought so stockish, hard, and full of rage, But music for the time doth...Erebus: Let no such man be trusted. — Mark the music. Enter Portia and Nerissa, at a distance. Por. That light we see, is burning in my hall. How far that... | |
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The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted. 
