Renaissance Historicism: Selections from English Literary Renaissance
Arthur F. Kinney, Dan S. Collins
Univ of Massachusetts Press, 1987 - Literary Criticism - 411 pages
The Renaissance is presently the focus for all the new critical theories that reexamine literary texts: feminism, Marxism, deconstruction, postmodernism, and cultural poetics. Renaissance Historicism collects some of the best essays that illustrate all the major traditional methods of historical literary criticism as well as the wide range of new critical perspectives by established authorities and important new voices. Already hailed in Studies in English Literature as the collection which caused "the New Historicism" to enter "into scholarly canonicity," this volume is both an introduction to and survey of a rapidly growing field of debate and achievement.
The range of this volume is unmatched in the viewpoints it employs and in the texts and genres it reconsiders. A new preface reviews succinctly all the methods--old and new, scholarly and critical--brought into play by the contributors. The accessibility of the contents makes this collection equally valuable as an introduction to historicism and literary texts and as a reference for future study.
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Eliza Queene of shepheardes and the Pastoral of Power
Clément Marot and Edmund Spenser
The Hegemonic Theater of George Puttenham
Senecan and Vergilian Perspectives in The Spanish Tragedy
Renaissance Family Politics and Shakespeares The Taming of the Shrew
Francis Bacon and the Style of Politics
Marrying the Rapist in Jacobean Drama
Apparel and Social Stability in The Roaring Girl
The Masques for Frances Howard
Plays on Foreign Affairs 16351637
The Gentry and Shirleys The Triumph of Peace
New Science and the Georgic Revolution in SeventeenthCentury English Literature
Patrician Carnival in Early Modern England and Robert Herricks Hesperides
Sir Thomas Brownes The Garden of Cyrus and the Real Character
Notes on Contributors
action Andrea antimasque argues audience authority Bacon Calender Cambridge celebration century character Charles Christopher Hill comedy context Cotswold games court courtier culture discourse drama Earl eclogue Elizabeth Elizabethan Elizabethan pastoral England English entertainment essay Essex festivities figure Garden of Cyrus gender gentleman gentry georgic Greenblatt Haec-Vir hath Hie Muher historians historical criticism human husbandry Hymenaei ideology Jacobean James Jonson Kate's King King's Kyd's language literature London Lord Marot marriage masque Moll Montrose nature neoplatonic Oxford Parliament pastoral forms peace play poem poet poetic poetry political present Prince proclamation Puritan Puttenham Queen Queen of Corinth quincunx rape reader relationship Renaissance Roaring Girl Roman royal rural Sejanus Senecan sexual Shakespeare Shepheardes Calender shepherd Sidney social society Spain Spanish Spenser Star Chamber suggests symbolic theater things Thomas tion traditional tragedy trom Vergil Vergilian woman women writing
Page viii - Brute, untill this day? beeing possest of their true use, for or because playes are writ with this ayme, and carryed with this methode, to teach their subjects obedience to their king, to shew the people the untimely ends of such as have moved tumults, commotions, and insurrections, to present them with the flourishing estate of such as live in obedience, exhorting them to allegeance, dehorting them from all trayterous and fellonious stratagems.