Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition1. Introduction.- 2. The Literature of Dance.- 3. The N?tya stra and the Concept of Dance.- 4. L?sya: A Dramatic Art.- 5. Nrtya and Upar?paka.- 6. Bandha and Anibandha.- 7. The De Tradition.- 8. Conclusion. |
Other editions - View all
Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition Mandakranta Bose Limited preview - 2012 |
Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition Mandakranta Bose No preview available - 2012 |
Common terms and phrases
Abhinavagupta abhinaya Abhinayadarpaṇa angahāras angas angika anibandha anibandhanṛtta bandha bandhanṛtta Bh.P bhāṇa Bharata Bharatanatyam bhāva Bhoja bhramaris body movements carcari cāri caris century chapter classical classical Indian dancing commentary composition dance pieces delicate described desi dance desi q.v. desi tradition desilāsya q.v. desinṛtta detail Dhananjaya Dhanika discussion dramatic presentation dvipadi feature of desilāsya female dancers follows gatis gestures group dance hand-gestures Hemacandra includes India instrumental music kalāsa Kālidāsa karana karaṇas Kathak Kathakali kāvya Kohala lasya läsyängas later literature Mālavikāgnimitra maṇḍala marga medieval period mentioned mimetic dance minor drama minor dramatic type minor types musical mode names nartana Nartananirṇaya natya Natyasastra NLRK nṛtta Nṛttaratnavali nṛtya nṛtyabhedas Nṛtyādhyāya Odissi Pārsvadeva perani performed pindibandhas postures Pundarika Purāṇa rāga Raghavan rasa rāsaka refers rhythm rūpakas sangita Sangitamakaranda Sangitaratnākara Sangitasamayasāra Sanskrit Sāradātanaya SDām Somesvara song SSam sthānas tāla tāṇḍava types of drama uparūpakas verses Warder